Prog rock lives on--like a zombie

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Prog rock lives on--like a zombie

Postby styxfanNH » Mon Jan 22, 2007 6:34 am

From dallasobserver.com
Originally published by Dallas Observer 2007-01-18
©2005 New Times, Inc. All rights reserved.

Unclear on the Concept
Prog rock lives on--like a zombie
By JONANNA WIDNER


Nothing like an Armageddon-like onslaught of frozen precipitation and arctic temperatures—and here we thought the apocalypse was supposed to be fire and brimstone, not sleet and black ice—to shut down hopes of weekend musical endeavors. For me, the cabin fever-inducing shut-in weather, combined with a searingly raw throat that evoked a steady diet of razor blades sliding down my esophagus, multiplied by the ingestion of large amounts of Chuck Klosterman and NyQuil, made for a weekend of feverish thoughts and sweaty ruminations, which finally settled on the subject of... Styx.
Not the mythical river, but the band, one that normally would not enter my thoughts much, save for the fact that they are playing this week at Billy Bob's in Fort Worth. But here's the deal about Styx: Yes, their music sucks, but this is an important band in terms of American culture. For better or for worse, Styx was instrumental—along with Yes, Rush, King Crimson and others—in injecting prog rock into the American consciousness. Now, most people would say, "Yes, this is true, but the golden age of prog rock is one we'd all like to forget. The bloated songs, the incessant keyboard noodling, the really long beards—it was all a collective trauma. Please, for the love of God, can't we leave it behind us?"

I wish it were that easy. But the fact of the matter is that the period of prog rock popularity remains a mysterious, unappreciated and underinvestigated era, one that begs the question What the hell happened? How did rock, heretofore a genre of music whose hallmarks were brevity (three-minute songs), punchy backwoods succinctness ("I'm all shook up"), three-chord hooks and simple themes of sex, anger and love suddenly evolve into a genre that celebrated 20-minute songs that ebbed and flowed, pushed by the energy of 15 Moog synthesizers—each with their own solo—and the band's ego? A genre wherein the celebrated themes became obscure concepts about robots and outer space and, for some reason, an awful lot of sailing imagery?

I suppose I could recount the evolution of prog rock and its rise to the top in the search for an answer, but that would be as boring as listening to "Come Sail Away." The point is, among other varieties of music—disco, punk, new wave, metal—that have slammed through our culture, prog rock is the least explicable. It was complicated and pretentious, somewhat hook-less and much further from the traditions of pop and rock than any other genre. But...it existed, people dug it, and it left behind a legacy that continues to this day (Radiohead, Mars Volta, M83, etc.). What makes Styx so interesting is that, of all the bands who indulged in prog rock during its heyday, they were arguably the least clever and the most muddled, yet they were among the most beloved. A good deal of prog rock centered on the "concept album," of course, and Styx's concepts were among the silliest and least focused. The most famous was Kilroy Was Here, a 1983 album set in a future where music is illegal, featuring a fictional imprisoned rock star. Various Styx band members admitted at the time that they themselves didn't quite understand the concept, even as they donned costumes and personas on stage to act out some of the songs' stories. Kilroy went platinum.

If you are a casual music fan, you probably don't care about all this—Styx is just one in a long list of lame classic rock bands or, at the most, a punch line or trivia answer. But if you consider yourself interested in popular culture, Styx is an emblem of a bizarre anomaly, a hiccup in the musical continuum, and the show at Billy Bob's is a rare opportunity to study it firsthand. That's why I plan on hitting the highway and being there. Or maybe I just have too much time on my hands.
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Postby DerriD » Tue Jan 23, 2007 12:43 am

Gee thanks Jonanna (what a freakin' name) for that insight. I sure bet you're a great date. :roll: When you release your 'cool' album, let me know, I'm sure it will be the greatest album ever.
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Postby yogi » Tue Jan 23, 2007 4:12 am

Where did you get a hold of a Dallas Observer??


That is a communist newspaper.

It is ONLY available through subscription(which will get you on a watch list), in Cuba and some parts of Russia.


I thought this paper folded when the wall came down?????????????????


Be careful with this info!
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Postby brywool » Tue Jan 23, 2007 8:19 am

She's probably a Kenny G fan. Jesus, people are idiots aren't they? It's old, so it must not be cool...
Ign'nt Beeotch! Great commentary DerriD.
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Postby styxfanNH » Tue Jan 23, 2007 8:27 am

yogi wrote:Where did you get a hold of a Dallas Observer??


That is a communist newspaper.

It is ONLY available through subscription(which will get you on a watch list), in Cuba and some parts of Russia.


I thought this paper folded when the wall came down?????????????????


Be careful with this info!


It was posted inside Styxworld BB. Not sure how they found it
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Postby LordofDaRing » Sun Jan 28, 2007 11:50 am

I don't mind criticism of Styx, but can't once somebody come up with something original? All I heard during the 90's was "they are too commercial", or you get the "arena band" comment with the eye roll or smug look. Now it is this Prog rock crap. If you ever bother reading 2 seconds of this fluff, you will notice that these idiots don't even listen to who they are reviewing. They cannot even get facts right. I am sure this idiot's idea of a real artist is LL Cool J or Eminem or somebody who really speaks to today's youth (god help us all).

Dear Joanne Whiner:
Stop trying to pass yourself off as some sort of musical expert. Stop writing about music that happened, sold and pleased fans by the millions way before you were ever a gleam in your dead beat, still owing child support's father's eye...Dude, and go post another lie about yourself on your pathetic facebook profile, where nobody gives a crap about you. Rock on M&M ("where's my snare, I can't hear my snare"..shut the F up), don't let him melt in your mouth. Or maybe you can download another great Kevin Federline song on to your IPOD, before WWE wrestler John Cena throws him through another table. It would sure be a shame to damage that scary talent, I am sure you are one of the 15 that bought his CD.
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