by Toph » Tue Apr 01, 2014 3:01 am
My take on Cornerstone -
Overall I think Cornerstone was a needed transition and I really like it. The production is solid - the record sounds crisper and clearer. Now, here's the kicker, I actually like the Tommy songs more than any others on this album. I love his contributions to this record. I love Tommy Shaw with an acoustic guitar. It just works. I think this becomes the first of several missed opportunities for the band primarily as a result of in fighting. Cornerstone was huge - imagine how much bigger it could have been if they had executed the right strategy on it.
The songs -
Lights - Missed opportunity #1. Why this wasn't released as a single is beyond me. Great, catchy, uplifting song in the spirit of Foolin Yourself. The Oberheim and acoustic guitar really work well together and the harmonies are fantastic. Sure, you would have needed to trim out the middle guitar solo/interlude a bit, but if not the first, should have been the second single off this album.
Why Me - Missed opportunity #2 - releasing this song as a single. Not a bad album track, but a single? Way more catchier options. Sure this had to do with the First Time debacle and wanting to have another song with DeYoung's voice out there after Babe. But it doesn't feel like Styx. To my knowledge, the first introduction of a "horn" - trumpets and saxophones would become huge on both PT and Kilroy. I think what might have me a bit perplexed is the chorus - very non Stygian with the one voice echo to DDY's - no three part harmonies. A decent track, but the second single to follow mega hit Babe? Don't think so...
Babe - OK, I like many am a bit tired of Babe. But you cannot downplay its impact, not just on this album, or with this band, but with rock bands in general. Think about it for a second - Babe preceded Open Arms, Keep on Loving You, Waiting For A Girl Like You, Who's Cryin Now, etc. etc. I argue that if Babe doesn't make that album and be released as a single, those songs don't see the light of day. Sure, someone would have discovered the rock ballad, but I credit Styx and DDY for really taking a risk and putting it out there. It shouldn't have been a huge surprise - Styx certainly had ballad-esque hits and songs in the past - Lady, Come Sail Away, Crystal Ball, Ballerina, Pieces of Eight all are very melodic, ballad-like songs for their first half before getting louder and heavier. Babe just doesn't do it to the same extent. And boy did it make an impact. It was released on Oct 6. 4 weeks later it was in the top 10. It went on an incredible run 72-42-26-14-7 on the weekly pop chart its first month after release and stated top 10 for at least 2 months. If you want to make an argument for Styx to be in the HOF, one is this - Babe was arguably the first straight rock ballad and paved the way for years of rock band love song. You may hate the song and hate the concept of a rock ballad, but you have to give credit where credit is due.
Never Say Never - Some people call this filler. I don't. I call it Tommy Shaw acoustic magic. Love this song - upbeat and somewhat similar to the much maligned She Cares. Would have made this a single over Why Me
Boat on the River - Another great song. Missed Opportunity #3. If you listen to DDY interviews, he argues that had the band launched the right singles here, they would have found out that BOR was a European hit while they were still marketing the album and it would have been a great 3rd or 4th single. As such, it was never released here despite its popularity in Europe because by the time it hit there, the promotion for Cornerstone was done.
Borrowed Time - This songs shows us that, yes, Styx can STILL rock. First real powerful guitar chords. Just took us 5 songs to get there. Missed Opportunity #4 - Did this get released to Rock Radio? If not, it should have. Could have done a good job of keeping Styx's rock cred going with longtime fans while bringing in a new legion of fans. Instead, it became the third pop single - too hard rock to make much headway as a pop song IMO. But could have hit big time if released to rock stations when Babe was released to pop/AC.
First Time - Missed Opportunity #5. Yes, its schmaltzy. Yes, its corny. Yes, its got way too much sugar. And yes, it should not have been the second single. But should it have been the third single? Absolutely. Teen girls swooned over this song. And it is not much different than an Open Arms IMO. You have to admit, DDY knows how to write a ballad with a hook and despite its sickening sweetness, it definitely has that. Release it number 3 after Babe and Lights and I think you are looking at an album (like Journey's ESCAPE) with three top 10 singles.
Eddie - Thud. JY's weakest song in YEARS. Just doesn't do it for me. The chorus isn't very strong either. Does anyone else notice that after the fade out that is fades back in backwards? And there sounds like there is a voice saying something in slow motion. What is that and has anyone every tried to figure out what is going on there?
Love In The Midnight - Missed Opportunity #6. An ode to the prog roots. A solid song that could have been release #2 to rock radio and kept the band's rock heritage in tact and pleased the rock/prog fan set. Love the "looking for love" part.
So, Cornerstone is sub-optimal not necessarily because of the songs (IMO) - the band needed to make some changes. Cornerstone is sub-optimal because of how it was marketed. Its reputation is Babe and a bunch of fillers. Beside Boat on occasion, nothing ever gets played live on this album. That is a shame. The right single release order Pop - Babe - Lights - First Time - BOR - Never Say Never(?) and Rock - Borrowed Time - Love In The Midnight would have set this album up nicely to be a HUGE seller. As it was it peaked at #2 and was the band's highest album chart position to date. That is until a little record called Paradise Theatre came along....