Zan wrote:brywool wrote:I said SINGERS not whatever she is. Singers are musicians, by the way.
I disagree. Singers are singers. I'm a singer, not a musician.Speaking of discipline, does a guitarist have to warm up for sometimes hours to be able to play? No. Do they have to do anything after the gig to get their playing chops back? No. A singer that's working has to constantly keep their instrument in shape or they have no voice. Guitarist can basically play the gig and go home, practice or not. If a singer wants to be able to do consecutive gigs, most of them HAVE to go through a daily regimen to retain their voices. Not so a guitarist. I'm a guitarist as well, and once I know know my parts, I don't have to relearn them. I can play them upside down. As a singer though, it's a constant battle to make sure my voice is in shape. If I do 2 4.5 hour gigs in a row (2 nights in a club), I need to spend most of the next day working through my swollen throat to get it back into shape for that night's gig. That requires more discipline than a guitarist who catches a buzz and goes to jam. I also do think that a singer can start out really sucky and with lessons, become a way better singer. If we're talking about guitarists vs singers that's one thing. If we're talking celloists vs singers, that's another.
Maybe not, but a guitarist has to spend YEARS of his or her life getting familiar with the instrument and learning how to play it. It's a very technical thing. Singers inherantly KNOW how to sing from the get-go. But they may require additional teaching to bring the ability to a certain level. Same with guitarists.
As far as "knowing the part once you've learned it," the same holds true for a singer. I don't have to keep "relearning" a song once I've learned it either. Do you? No. You know it or you don't. If you haven't sung a song in a long time, you might have to go back and resing it a few times to make sure you nail the parts, but the same holds true for a guitarist that hasn't played a tune an awhile. The only thing a singer needs to do is take care of his voice in between gigs. On the same note, a singer can still sing with arthrytis. A guitarist, keyboardist, violinist can't.
I know you are making a generalization here, but a "guitarist catching a buzz" and going on can be just as sloppy as a hammered singer, if not moreso depending on the person, and I'll ignore that there may have been a small blanket statement that guitar players tend to drink more...nah, I won't go there.
Another thing musicians invest more in is equipment. They tend to have five times the gear a singer has.
NOW, I WILL say that as a singer, BECAUSE OF THE FACT THAT we are so common, it is ESSENTIAL that any singer who wishes to stay important makes his or her self invaluable to the people he or she plays with. I do not, however, think being a good singer automatically makes you invaluable. I think being invaluable makes you invaluable, whether it be by writing, getting gigs, improving one's self vocally, etc. Perhaps that's what Perry did. But as a whole, singers, good or not, are much more common.Also, if Spears was around in Styx's heyday, she'd NOT be what she is today. She'd be Tiffany.
Ah, but she ISN'T in Styx's heyday, is she? (and neither is Styx or Journey for that matter)I can name more pro bands that've made it with lame guitarists than lame singers.
Example- The Beatles (and I'm THE hugest Beatles fan).
Lennon was NOT a great guitarist when they started.
Harrison was NOT a great guitarist when they started.
It was their voices and their songwriting that sold that band, yet they were the biggest
band in the world.
Zan wrote:Neither Lennon or Harrison were GREAT singers, and one could argue that is was the Beatles' WRITING that made them what they were more than playing or singing combined. Look at Dylan for petes sake..
LENNON NOT A GREAT SINGER??? I think you're way wrong and I think that many singers (including DeYoung) would disagree with you. He was a great singer. It was the songwriting that created the Beatles longevity, but I think it was their voices that made them break through at first. Their songs at first, weren't that great as George Martin has said a million times.
[color=magenta]No, he wasn't, and he was the FIRST to admit that. John knew he wasn't a powerful singer, and even had to double-up his recordings to make him sound "fuller." He was under no delusions about his voice.Zan wrote:Also, you'll notice I said LEAD guitarist, not rhythm guitarist. If we're comparing apples to apples, I could say anyone who could carry a tune could sing backup or harmony just as easily as your semi-talented guitarist could play rhythm and "get by."[/color][/b]
A 'lead guitarist' could learn a blues scale and make it work for him for years. Look at BB King. He doesn't even know how to play chords. Watch the scene with him in U2s Rattle and Hum (the film). He says "I don't know chords".
I dunno, I think you're wrong.
And The Edge can't play notes, only chords. I guess they were made for each other. BB is a stylist. Some artists have managed to make a good name for themselves being stylists. Look at Joplin. Do you think Bono is a great singer? What about Bon Jovi? Bruce Springsteen? Clay Aiken? Bo Bice? What constitutes a good singer to YOU? is it more technical? Soul? Projection? Range? What? What it really comes down to is personal preference, just like everything. I know some people who think Dennis DeYoung has the greatest voice on earth. I know others who find him unbearable to listen to. Who is right? I hate Jimmy Hendrix. I love David Gilmour. JY would disagree. Do I think he's "wrong?" No.
I've auditioned enough vocalists and guitarists to know that talented, disciplined guitar players are far more difficult to come by than singers. That's been my experience, and the experience of everyone in the "local scene." Talent is talent. [/quote]
Here's my two cents' . . . which probably isn't even worth two cents, LOL. But I am a singer/songwriter/guitarist, as well as a guy who both plays and writes about music for a living, so here goes.
I think singers are certainly more common than accomplished musicians, and on the local level it is surely true that a singer is not that hard to find/replace. That's because everyone wants to sing and everyone thinks they CAN sing, and it's not hard at all to replace singers in cover bands, or even unsuccessful original bands. BUT, I think that changes when a band goes national and become successful. At that point it really isn't a matter of whether the singer is technically accomplished or not . . . the fact of the matter is, the average non-musician who listens to a group on the radio grabs onto the singer first and foremost, whether that singer is a great, technically accomplished singer or not. Most people are almost completely unable to tell one drummer or bass player from another, but virtually everyone can tell singers apart. So in a commercially successful band, singers become one of the most important members. If that singer also happens to be a main writer, he can run the band however he likes. Let's face it, Tom Petty can't sing for shit as far as being a great technician . . . but if you take him out of Tom Petty and the Heartbreakers, what's left in terms of marketing? Not much. Replace him, the band is screwed. Let's not mistake that for him being a great singer, guitarist, or even a great writer for that matter. But he has something that fans grab onto that is not defined by any of those parameters. He has "IT", whatever that is. The same is true of Madonna . . . you can't make the claim that she is a great singer, she plays no instrument well, her writing is corny, BUT she's still a great musical entertainer. She connects. Same for Britney. Same goes for an awful lot of successful entertainers. It's not a talent show, where everyone sings and you choose the best singer. It's an entertainment show, and we choose the ones we like the best for whatever reason.
In terms of here in Nashville, I would submit that many of the major stars here are not great singers, writers or musicians. They connect. Shania Twain, Tim McGraw, Toby Keith, Kenny Chesney, Rascal Flatts . . . and on and on and on. Let me just say that I have seen all of the above live, and I can tell you without hesitation that if you sat ANY of them on a stool next to me, dressed in jeans and a t-shirt with no lights, no staging, no vocal tuning, I would kick their sorry asses all over the place. But put us in a stadium, with emphasis on performance, imaging and stage craft, and I would surely lose . . . because I am a real singer, musician and song writer, but not that focused on trying to make people like me no matter what it takes. That's the way it really works.
As far as Dennis and Tommy, I fall somewhere in the middle . . . if your definition of "superstar" is someone everyone knows, neither qualifies. If your definition is "CLASSIC ROCK superstar", I would submit that they are about as recognized as most in that genre, and I would also submit that they are the only two members of Styx with any great marquee value. Everyone else is imminently replaceable. And so are they to a degree, but when they are replaced, it damages the marquee value of the band, whereas replacing Glen, for instance, had no effect whatsoever. I would submit that from a sales/marketing perspective - NOT a musical one - you could fire and replace Todd, Gowan and Ricky all on the same day, and as long as you replaced them with someone competent, it would make virtually no difference in the ongoing business of Styx. But replace Tommy Shaw, and virtually every fan now wants his money back. That's the reality of singers vs. other players.
I hope all is well.
Sterling