Record Collector magazine's review of 'The Grand Delusion'
Posted: Thu Aug 23, 2007 1:09 amAnd on the other hand from what Classic Rock said, this reviewer from Record Collector magazine takes the position that the book is not sensational enough. LOL, it's always funny to me how differently people can see the same piece of work.
"This large, 364-page tome is essentially a collection of interviews with band members and those close to and inside the Styx organization, from the band's inception to the present day. Styx were among the most successful of America's arena rock bands back in the late 70s/early 80s, and although Whitaker addresses the stereotypes surrounding this kind of music, the book tends to reinforce rather than dispel the prejudices of those who view the group as a business, rather than an artistic venture.
That said, this will be an absorbing read for fans, although the diplomatic attitudes shown by the band and (most of) their associates throughout means that the personality clashes are frustratingly hinted at, rather than discussed in detail. Nevertheless, it becomes clear that, despite all the original members' idiosyncracies, band leader Dennis DeYoung's ego is usually the key factor in their troubles.
An absorbing read, but the author's chronological approach (treating every era of the band's career equally), though admirably thorough, perhaps under-analyses just what made them so successful in their heyday.
William Pinfold 3/5 stars"
I hope all is well.
Sterling
"This large, 364-page tome is essentially a collection of interviews with band members and those close to and inside the Styx organization, from the band's inception to the present day. Styx were among the most successful of America's arena rock bands back in the late 70s/early 80s, and although Whitaker addresses the stereotypes surrounding this kind of music, the book tends to reinforce rather than dispel the prejudices of those who view the group as a business, rather than an artistic venture.
That said, this will be an absorbing read for fans, although the diplomatic attitudes shown by the band and (most of) their associates throughout means that the personality clashes are frustratingly hinted at, rather than discussed in detail. Nevertheless, it becomes clear that, despite all the original members' idiosyncracies, band leader Dennis DeYoung's ego is usually the key factor in their troubles.
An absorbing read, but the author's chronological approach (treating every era of the band's career equally), though admirably thorough, perhaps under-analyses just what made them so successful in their heyday.
William Pinfold 3/5 stars"
I hope all is well.
Sterling