Classic Rock Revisited Review of 100 Years

Saw this review of 100 years by Jeb Wright posted on another board. It is a pretty good read and review.
Dennis DeYoung - One Hundred Years From Now
Universal Records
www.dennisdeyoung.com
Rating: B+
Dennis DeYoung has often been criticized for becoming too soft in his solo career. While he has had success as a solo artist many of his fans have wished he would return to writing music in the style he wrote for his former band Styx. Hold on to your seat because One Hundred Years From Now is DeYoung's most Styx-like offering yet.
The album opens up with the "One Hundred Years From Now" which is easily the best solo song written by DeYoung -- ever. It features an amazing guitar solo, great lyrics, big melodies and powerful vocals. This song is a throwback to Equinox era Styx and, truth be known, is the most Styx sounding song released by Dennis or anyone else connected to the band in the last twenty years.
The album does not stop with one song, though. "Rain" is an interesting tune where DeYoung steps outside his norm and delivers another not often seen side of his musical persona. "Save Me" is one of the best tunes on the album as well. This is not a rocker and not a ballad, instead it is somewhere in-between. But the song is well written and masterfully executed. The entire album should be listened to in one sitting if possible. While not a concept album as such, the songs are in the order they are in for a reason.
Two of the best are the two last tracks. "I Don't Believe in Anything" is another rocker that will remind one of the glory days of Styx and "Turn Off CNN" is a rocker with a message!
In the end, this is the strongest album of DeYoung's solo career and should do a lot to shut up the negativity he has had to live with for the past decade. One Hundred Years From Now makes it okay to like Dennis DeYoung again. He has removed the stigma that has been forced upon him, not by spewing words of hate or making excuses but instead by creating a wonderful album. In other words, he put his money where his microphone is. He has garnered respect the old fashioned way -- he has earned it. The bottom line here is that DeYoung has proven that in a hundred years no one will care about the controversy. They will only care about the music.
-- Jeb Wright
http://www.classicrockrevisited.com/reviews/Reviews_07/DennisDeYoungCD.htm
Dennis DeYoung - One Hundred Years From Now
Universal Records
www.dennisdeyoung.com
Rating: B+
Dennis DeYoung has often been criticized for becoming too soft in his solo career. While he has had success as a solo artist many of his fans have wished he would return to writing music in the style he wrote for his former band Styx. Hold on to your seat because One Hundred Years From Now is DeYoung's most Styx-like offering yet.
The album opens up with the "One Hundred Years From Now" which is easily the best solo song written by DeYoung -- ever. It features an amazing guitar solo, great lyrics, big melodies and powerful vocals. This song is a throwback to Equinox era Styx and, truth be known, is the most Styx sounding song released by Dennis or anyone else connected to the band in the last twenty years.
The album does not stop with one song, though. "Rain" is an interesting tune where DeYoung steps outside his norm and delivers another not often seen side of his musical persona. "Save Me" is one of the best tunes on the album as well. This is not a rocker and not a ballad, instead it is somewhere in-between. But the song is well written and masterfully executed. The entire album should be listened to in one sitting if possible. While not a concept album as such, the songs are in the order they are in for a reason.
Two of the best are the two last tracks. "I Don't Believe in Anything" is another rocker that will remind one of the glory days of Styx and "Turn Off CNN" is a rocker with a message!
In the end, this is the strongest album of DeYoung's solo career and should do a lot to shut up the negativity he has had to live with for the past decade. One Hundred Years From Now makes it okay to like Dennis DeYoung again. He has removed the stigma that has been forced upon him, not by spewing words of hate or making excuses but instead by creating a wonderful album. In other words, he put his money where his microphone is. He has garnered respect the old fashioned way -- he has earned it. The bottom line here is that DeYoung has proven that in a hundred years no one will care about the controversy. They will only care about the music.
-- Jeb Wright
http://www.classicrockrevisited.com/reviews/Reviews_07/DennisDeYoungCD.htm