Dennis DeYoung Turning Stone Casino Verona NY April 22, 2010
http://www.backstageaxxess.com/index.ph ... young-show
Dennis DeYoung's set at Turning Stone focused on Styx's heyday, with only one song coming from DeYoung's solo years, "Desert Moon" and three from before 1977, "Lady," "Suite Madame Blue" and "Lorelei." It was the first time DeYoung's band played this set acoustically, featuring DeYoung on the grand piano accompanied by bass player Craig Carter and guitarists August Zadra and Jimmy Leahey. Considering how big a sound Styx had, with synthesizers and powerful harmonies, playing Styx songs without a full band was no easy task, but DeYoung and company tried it, and pulled it off extremely well.
DeYoung opened the show with "State Street Sadie" followed by "AD 1928/Rockin' the Paradise." The trademark harmonies on "Paradise" were spot on, and the unplugged version was just as powerful as the original. DeYoung followed up with splendid versions of "Lady" and "Lorelei."
Then DeYoung mentioned to the crowd that a good song was like "yellow cake." he went on to say, "If you made a good enough yellow cake, you could frost it any way you want." DeYoung also noted, "If you take away the amplifiers and the drums you see what you've got." The band launched into "Blue Collar Man" with Zadra handling lead vocals. The crowd seemed surprised and delighted that the show included songs former band mate Tommy Shaw originally sang on.
Highlights of the show included "Desert Moon," the only offering from DeYoung's solo years. That song was worth the price of admission alone. The band truly captured the raw beauty of "Desert Moon." "Babe," one of the greatest ballads in arena rock history and winner of a People's Choice award, sounded much better on piano than on organ. Other highlights included an impressive version of "Mr. Roboto" a song that was quite a challenge to play acoustically, and an impromptu section from the Beatles song, "When I'm Sixty-Four."
Even though DeYoung joked about not being able to hit the high notes, there was not even a hint of deterioration of his vocal ability. On many of the songs, his voice sounded stronger than on the original versions, especially on "Suite Madame Blue," and "The Best of Times."
With Styx performing DeYoung songs, it was a real treat to hear Tommy Shaw songs with DeYoung adding background vocals and piano parts. Because Shaw and Young have tried to downplay the DeYoung influence, DeYoungs versions of the Shaw offerings actually sound truer to the original than what Styx is playing now. This is due to the obvious respect and love of the music by DeYoung's guitarist duo, whose looks and stage antics even resemble Young and Shaw's from of Styx's golden era. Craig Carter's bass playing was even more prevalent due to the lack of a drummer. His harmonies were a nice touch too.
The show ended with "AD 1958" from 'Paradise Theater' and a cover of the Beatles song, 'The End.' Instead of leaving the stage, DeYoung told the crowd to "pretend" that the band left the stage and came back for the encores. The band then launched into show stopping versions of "Renegade" and "Come Sail Away."
Overall, the show as close to a genuine Styx concert experience as you could get. DeYoung was relaxed and obviously still loves performing these songs. The arrangements were creative and even though there are many versions of these songs out there, hopefully the acoustic show will be recorded and offered commercially.
Set List:
State Street Sadie
AD 1928/Rockin' the Paradise
Lady
Lorelei
Blue Collar Man
Don't Let it End
Desert Moon
Too Much Time on My Hands
Mr. Roboto
Babe
When I'm Sixty Four (Beatles cover, opening verse)
The Grand Illusion
Fooling Yourself (The Angry Young Man)
Suite Madame Blue
The Best of Times
AD 1958
The End (Beatles cover)
Encores:
Renegade
Come Sail Away
We would like to thank the Dennis DeYoung camp for allowing us to cover the show.
Dennis DeYoung's set at Turning Stone focused on Styx's heyday, with only one song coming from DeYoung's solo years, "Desert Moon" and three from before 1977, "Lady," "Suite Madame Blue" and "Lorelei." It was the first time DeYoung's band played this set acoustically, featuring DeYoung on the grand piano accompanied by bass player Craig Carter and guitarists August Zadra and Jimmy Leahey. Considering how big a sound Styx had, with synthesizers and powerful harmonies, playing Styx songs without a full band was no easy task, but DeYoung and company tried it, and pulled it off extremely well.
DeYoung opened the show with "State Street Sadie" followed by "AD 1928/Rockin' the Paradise." The trademark harmonies on "Paradise" were spot on, and the unplugged version was just as powerful as the original. DeYoung followed up with splendid versions of "Lady" and "Lorelei."
Then DeYoung mentioned to the crowd that a good song was like "yellow cake." he went on to say, "If you made a good enough yellow cake, you could frost it any way you want." DeYoung also noted, "If you take away the amplifiers and the drums you see what you've got." The band launched into "Blue Collar Man" with Zadra handling lead vocals. The crowd seemed surprised and delighted that the show included songs former band mate Tommy Shaw originally sang on.
Highlights of the show included "Desert Moon," the only offering from DeYoung's solo years. That song was worth the price of admission alone. The band truly captured the raw beauty of "Desert Moon." "Babe," one of the greatest ballads in arena rock history and winner of a People's Choice award, sounded much better on piano than on organ. Other highlights included an impressive version of "Mr. Roboto" a song that was quite a challenge to play acoustically, and an impromptu section from the Beatles song, "When I'm Sixty-Four."
Even though DeYoung joked about not being able to hit the high notes, there was not even a hint of deterioration of his vocal ability. On many of the songs, his voice sounded stronger than on the original versions, especially on "Suite Madame Blue," and "The Best of Times."
With Styx performing DeYoung songs, it was a real treat to hear Tommy Shaw songs with DeYoung adding background vocals and piano parts. Because Shaw and Young have tried to downplay the DeYoung influence, DeYoungs versions of the Shaw offerings actually sound truer to the original than what Styx is playing now. This is due to the obvious respect and love of the music by DeYoung's guitarist duo, whose looks and stage antics even resemble Young and Shaw's from of Styx's golden era. Craig Carter's bass playing was even more prevalent due to the lack of a drummer. His harmonies were a nice touch too.
The show ended with "AD 1958" from 'Paradise Theater' and a cover of the Beatles song, 'The End.' Instead of leaving the stage, DeYoung told the crowd to "pretend" that the band left the stage and came back for the encores. The band then launched into show stopping versions of "Renegade" and "Come Sail Away."
Overall, the show as close to a genuine Styx concert experience as you could get. DeYoung was relaxed and obviously still loves performing these songs. The arrangements were creative and even though there are many versions of these songs out there, hopefully the acoustic show will be recorded and offered commercially.
Set List:
State Street Sadie
AD 1928/Rockin' the Paradise
Lady
Lorelei
Blue Collar Man
Don't Let it End
Desert Moon
Too Much Time on My Hands
Mr. Roboto
Babe
When I'm Sixty Four (Beatles cover, opening verse)
The Grand Illusion
Fooling Yourself (The Angry Young Man)
Suite Madame Blue
The Best of Times
AD 1958
The End (Beatles cover)
Encores:
Renegade
Come Sail Away
We would like to thank the Dennis DeYoung camp for allowing us to cover the show.