cittadeeno23 wrote:Love is the Ritual went top 10 on the Rock charts. It got a lot of airplay. At the time it was released we had 4 rock stations in the Bay Area and all 4 were playing it consistently. I still to this day say that there were more rock stations in the country in the70's. 80's and 90's than there were pop stations. Everyone here knows all of Rush's songs, correct? How many of them got played on POP stations????? Virtually none. But we all know them.
You don't have to be on Billboards top 40 POP charts to get a lot of airplay. I know of a little band called Led Zeppelin that gets more airplay to this day than probably any band on the planet. We have all heard their songs so much we are sick of them. How many of their songs have we heard on the POP stations. ZERO.
That may be true in theory, but in this application it falls flat because bands like Rush, Zep et al may have had few or no pop chart hits, but they still sold records. EOTC debuted at what, number 60-something? And then fell straight from there. The singles charts convey airplay, not sales, so it's possible to have a decent chart position but not sell product, as in this case. If the public had liked LITR it would have pushed a much better debut. As it was I saw loads of pre-publicity for that album and it still stiffed on arrival, and would have died completely if not for SMTW. That's the hard truth. I thought it was the absolute wrong single from the first time I heard it. Didn't sound like Styx, sung by an unfamiliar guy . . . what the hell they were thinking is beyond me. I can still remember buying the cassette single of that song with B-side "Homewrecker". This was before the whole album was available, and I remember the feeling of absolute horror I had as I heard those two songs back to back. Thankfully some of the rest of the album was more to my taste, but man, that was off-putting for me . . . and I suspect a lot of other older fans. And the art cost what, about three dollars?
I still wish SMTW had been the first single, followed by "Edge of the Century".
Sterling