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scarab wrote:Is Kilroy too bad for a listening party?![]()
scarab wrote:Is Kilroy too bad for a listening party?![]()
Toph wrote:Paradise Theatre....or is Paradise Theater? Regardless of how you spell it, it is in my opinion one of the all time great Styx albums. The production is by far the best of any Styx album. Listen to the crispness and clearness of this record. You can tell that the piano in AD 1928 is in fact an old time player piano. It just sounds different than the grand piano. Best harmonies on any Styx album prior to or after. Just a really tight sound. The concept was brilliant. Using a theatre as a metaphor for the US? Genius! The flow of the songs and the fact that all three members have strong contributions to this record makes it the most cohesive Styx record since Grand Illusion.
My only nit - if the record had had a 2nd ballad to release, the sales would have been similar to Escape or Hi Infidelity.
Let's look at it song by song.
AD 1928/RTP - Styx have always done a great job in starting their albums out with a "magical" touch and this one takes the cake. The keys of the player piano followed by Dennis's distinct voice on a lyric "Tonight's the night we'll make history" that will run throughout the album. It segways into Rockin The Paradise, a truly great opener for an album. Upbeat, optimistic with lyrics that match popular phrases of the 1920s. A lyrical masterpiece. Should have been a pop single in addition to a rock track.
Too Much Time On My Hands - Tommy Shaw's big contribution to the album. The first sign of the decline of the theater (the USA) - unemployment. A good almost new wavey type intro with the bass/keyboard duet and some great Shaw/DeYoung harmonies. A song with two catch choruses (the "I've got Too much.." and the "Too much time on my hands" coming into and out of the guitar bridge and at the end). Very poppy tune that I sometimes tire of, but still an excellent song and Styx masterpiece.
Nothing Ever - Underrated track. Very catchy. Not sure why it didn't do better on the charts unless it was just too jazzy for the charts at the time. "still got dem mother nature's blues" is a great ending line.
Best Of Times - I'll quote Glen Burtnik from Sterling's book "The Best of Times is about as good as it gets in the 80s pop/ballad scene" (paraphrase). Its plodding just works! The harmonies. Wow! Great tune that seemed so big when it was out, but hasn't had quite the longevity as it should have given its success. Probably because new Styx refuses to play it. Well, their mistake, its a Styx classic.
Lonely People - More jazzy Styx and a bit of a shift for Dennis as the song is clearly in a minor key with some weird key changes throughout. Have come to appreciate this song more over the years, but I didn't like what I felt was Dennis's off key scream/shouting (We both are empty, Paradise and me....do you believe I'm still chasing rainbows). I always thought it would sound better without the talk/shout/singing but I appreciate it more. Love the horns on this one. Another great insight into the decay of America.
She Cares - The most overly criticized song on the album, but I am going to defend it. Great melody, awesome hook. Not sure why it wouldn't have fit in as a later single off the album. Has tons of pop sensibilities to it. Of course Tommy has now really strayed from his Pieces of Eight years not having penned a real rocker since that album. The biggest beef I have with She Cares is the lyrics. They don't fit the album or its theme at all.
Snowblind - Scared the crap out of me as a kid. But I can appreciate it now and really find its message insightful - especially coming from the eyes of an addict. It shows Styx as being anti-drug which is a message I really like. Of course one could argue that its hypocritical since the only addict in the band is singing it and his drug problems continue to worsen years after the song is released. Or maybe that was the reason he did sing it? I'm sure he wished he had followed the song's advice.. Love the harmonies here - especially the ones over the guitar solo and at the end. A real departure from Styx, but keeps in the theme of the theatre - another sign of decay in America...drugs.
Half Penny/AD 1958 - Best JY song of all time! Harmonies continue to shine - they are just great on the entire album. Great mix of rocking JY offset by crisp harmonies and piano to bring it down just a tad and make it extremely melodic. Lyrics that summarize the exploitation of America and the power of money. The ending with the sax and piano, whether that is considered AD 1958 or still half penny is beautiful. And AD 1958 acknowledges the end of the theatre and repeats the theme first encountered in best of times of living on memories of the "good old days" - a great way to wrap up the album and it ties it all together.
State Street Sadie - love this. Why wasn't it longer?
Overall Styx's last hurrah. Their last truly great album in my opinion. It is always in my top 2. In fact some days it even beats out The Grand Illusion.
yogi wrote:' Nothing Ever Seems To Matter' was the hidden track when you played Snowblind backwards at 78 RPM.
Styx was far far ahead of their time even back then with hidden tracks.
masque wrote:yogi wrote:' Nothing Ever Seems To Matter' was the hidden track when you played Snowblind backwards at 78 RPM.
Styx was far far ahead of their time even back then with hidden tracks.
yeh that was also my favorite hidden track from the album
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