masque wrote:Toph wrote:masque wrote:cool interview thanks for posting!
here are my thoughts;
i think tommy and jy and the boys are still very interested in making new music……but when you look at a great album like cyclorama only selling around 50,000 copies total.........
I think a big IMO is needed in front of that. I would hardly classify Cyclorama as a "great" album. IMO, One With Everything was a solid song and the two Gowan songs were decent as was Kiss Your A$$. These are Times was tolerable for JY. The rest is awful.
we'll have to agree to disagree on that........most everyone I know other than you seem to feel that cyclorama was very worthy of being an album to have success and certainly not something they had to apologize for.....i think it blows brave new world out of the water with the exception of "goodbye to roseland".
the point is that boom is probably right in that they just dont have the drive to do it.....but I will say that it's pretty hard to muster up the drive to go thru the process of making a new album that you know wont sell.......at least for petty he still has enough of a foot hold on the market place to make it worth his while so to speak.....and since his new album debuted at #1 then who can argue.......of course, it only took 131,000 units to be #1 which says alot about the record industry as a whole. 20 years ago that number would have been a good week 2 months into a new release.
in fact, full moon fever, his most successful album sold over 6 million copies and never went beyond #3 on the charts. that's not dismissing his current feat because I am still proud of his current achievement as a fan. but he's running a different race with different rules than he did 20 years ago.....but once again, i tip my hat to him because he's found a way to stay relevant.
here's my question......do any of you feel that new styx music would sell? with or without ddy?
night ranger pumps out new music that sells 6000-10,000 copies.......last foreigner barely sold anything. i never even saw or heard a track from the last reo album.......i think even the last journey album tanked. so i think we can say that petty is tapped into a different market than the ones mentioned above....because other than journey's first album with arnel, none of them can sell an album anymore.
On Cyclorama, this is assigning your and maybe your friends' tastes to the public at large when in actuality, it isn't close to reality. Take amazon listener ratings. Cyclorama has a 3.8 out of 5 stars. That is the same as Brave New World and much lower than the 4.5, 4.6 of Grand Illusion, Paradise Theatre, et al. Even the much maligned Cornerstone earns a 4.0. The one album Cyclorama beats is Kilroy which is rated a terrible 3.3
That being said, I do agree with you that Cyclorama is better than Brave New World. It is much more cohesive. Is it as good as the A&M days, like you and JY believe? In my opinion, it isn't close. Too many filler songs and, for a band that "wanted to rock" to many poppy songs. "Yes I Can"? Really? I would rank it under all of the A&M albums, including Kilroy and Edge, but higher than Brave New World, higher than the Wooden Nickel albums with the exception of Styx II, and higher than Big Bang Theory.
Now, of the other bands, Journey had success with Arrival and Revelation and was poised to have a big album with Eclipse, but instead of putting out a catchy, Journey-esque album, they decided to follow Neal Schon down an ego trip and put out that awful Eclipse, an album that unlike Revelation, had few "hooks" and sounded little like classic Journey. Talk about blowing your opportunity. It was less about the band's age than the quality of product that was put out.
Foreigner, likewise, on Kelly Hansen's first LP, had a couple of songs that got radio airplay. Could they do it now? Now sure.
Night Ranger's "Somewhere In California" was critically acclaimed and I'm sure blew through more than 5000 - 10,000 units. In fact I believe they do pretty well in Asia. Speaking of Asia, the band Asia has done very well overseas, specifically in Japan, with their latest releases.
Regionality could definitely play a role here. Heck, Dennis DeYoung had a gold record in Canada.
Point is, it can be done. Whether they want to expend the energy and the creative juices is up to them. Personally, I question whether this lineup has a lot of creative drive.