Matthew wrote:...despite all that...it was still entirely Perry's fault?
YES. He took on the producers role. HE top decision maker in the band. If he is going to take on that title, he needs to take responsibility for the role.
Moderator: Andrew
NoMoreTails wrote:Prior to ROR, I felt Journey was on another plane than those bands. VH, Aerosmith, Bon Jovi, etc did fine in the next 10 year period, however, "continuing in a decade" was meant to refer specifically to the 80s.
Whoever Herbie picked.
Matthew wrote:But Journey's album sales had dropped from 9 million in 1981...to 7 million in 83
....to 2.5 million in '86[/quote
If the album had not sucked, it would have done better.grunge backlash against melodic rock in 90-91...
How ignorant. Grunge was a backlash against glam rock. Melodic Rock was something completely different.Plus they'd already made it to the top. And Schon and Cain were enjoying success outside the band. So where was the motivation back then?
Monker wrote:The simple fact is: Neal's "outside projects" did not affect Journey AT ALL.
That is why Neal should 'rue the day'...in many ways, HE opened the door for ST and then ROR.
Monker wrote:Give it a rest. Foreigner lost Lou Gramm.Styx lost Tommy and then Tommy came back and they lost Dennis. Who gives a damn about The Tubes? Asia started losing members of the band after their first album. How many people have been in and out of Kansas over the y ears?.
NONE of these examples are comparable to a Journey that had continued on after ROR - none.
Then you are saying Journey should have broke up after Escape, or maybe Frontiers....because ROR was NOT the 'top' of anything.
Which was not a true statement...because those bands you mention above would have been OPENING for Journey...up until after the DL tour.
Monker wrote:Matthew wrote:...despite all that...it was still entirely Perry's fault?
YES. He took on the producers role. HE top decision maker in the band. If he is going to take on that title, he needs to take responsibility for the role.
Monker wrote:
How ignorant. Grunge was a backlash against glam rock. Melodic Rock was something completely different.
Monker wrote:Matthew wrote:NoMoreTails wrote:Whoever Herbie picked.
He picked Fleischmann in 1977...so I wouldn't say that his judgement is infallible, NMT.
...who wrote Journey's first radio hit, "Wheel In the Sky". So, what is your point?
The motivation should have been Herbie taking no name bands and getting them to the top of the charts. With Herbie leading the band, instead of Perry, there would be no limitations to what could have happened.
Monker wrote:
How ignorant. Grunge was a backlash against glam rock. Melodic Rock was something completely different.
Matthew wrote:
What do you mean? Look up 'melodic rock' in any music reference site and you'll see that everyone agrees it's mainstream popularity started to wane in 1990. To say that AOR bands weren't affected by grunge/alternative is verging on the idiotic, Monker.
Matthew wrote:NoMoreTails wrote:Matthew wrote:NoMoreTails wrote:Whoever Herbie picked.
He picked Fleischmann in 1977...so I wouldn't say that his judgement is infallible, NMT.
and fired him to bring in your do-no-wrong hero...
What's with the eye-roll? Because I dared to suggest that Herbert's decision making wasn't absolutely perfect at all times? Are you a fanatic about him too?
NoMoreTails wrote:
I don't know of any mistakes Herbie made other than loosing control to Perry
Hiring RF was instrumental in laying the foundation for Infinity
, he may have worked out fine if something better vocally hadn't come along.
As for fanaticism, I've been plenty vocal in my criticism of NS's handling of Journey business over the last year or so, further back than that in regards to lack of new material and reliance on the greatest hits. You on the other hand can not allow any criticism of SP, even in situations where he himself has admitted responsibility. Your fawning loonism is expected from Perry's female contingency but is really flamingly creepy coming from a guy.
Matthew wrote:Well, that's two big mistakes. One to hire a singer who the fan base didn't accept.
Matthew wrote:He co-wrote three songs. Let's not get carried away.
Matthew wrote:But I've also criticised him for the arrogance he displayed about TBF publicity and tour.....his unbelievably low output since the mid-80s and the disappointing quality of his work since ROR....his over-dependence on his mother re: strength and ambition....his rather manipulative relationship with his fans in the last decade....and do you want me to go on?
NoMoreTails wrote:That fan base didn't accept Perry either...had to build a new, bigger one.
Yeah, his contribution to 1/3 of the material from one of Journeys three best albums was throw away filler...no classics like Happy To Give or Positive Touch.
Yeah, keep going, its good to hear this out of you, I must have missed it before.
Matthew wrote:If Happy To Give and Positive Touch were the only two songs Perry wrote then you might have a point....
.
Matthew wrote:And there are some songs in the early days when his voice is too shrill and grating - and his improvisations are too elaborate.
NoMoreTails wrote:[This was aimed at the "quality" of the beloved ROR vs the quality of RF's contribution to Infinity, not so much SP vs RF (as Cain probably wrote the sappy lyrics anyway).
I'm glad to see a loon remark about Perry's overindulgence in catterwalling (sp?) at times, I've meant to bring that up when NS has been criticized by some for jamming in excess. What Perry was doing was amazing, but a bit too much at times. We have found common ground once again, but will undoubted disagree at least that 80% of the time.
Matthew wrote:But early Perry and late period Schon...yes, there's definitely a feeling of , 'oh get on with it', isn't there?
Matthew wrote:But Positive Touch can't be denied either. One of the truly outstanding Journey moments. Red knows the score on this too.
But early Perry and late period Schon...yes, there's definitely a feeling of , 'oh get on with it', isn't there?
NoMoreTails wrote:Matthew wrote:But early Perry and late period Schon...yes, there's definitely a feeling of , 'oh get on with it', isn't there?
I like Schon's more recent work and feel that he continues to improve overall, concerning his Journey output, I just wish there was more of it .
Matthew wrote:Still...I'd rather see Schon in concert than anyone else...except maybe Rabin and Schenker....who have lost interest from their wildly differing reasons.
conversationpc wrote:Matthew wrote:Still...I'd rather see Schon in concert than anyone else...except maybe Rabin and Schenker....who have lost interest from their wildly differing reasons.
The only thing Schenker seems to be interested in is making enough money to get the next drink, unfortunately.
conversationpc wrote:That song would've been great on an SP solo album, but Journey? Nah. One of the worst Journey moments ever.
amaron wrote:My dislike of Perry has lessened over the past year but I still can't believe that one of the greatest voices in rock on numerous occasions has left his fans without ANYTHING for years upon years.
It's his right, but I don't have to like him because of it.
Matthew wrote:conversationpc wrote:That song would've been great on an SP solo album, but Journey? Nah. One of the worst Journey moments ever.
I don't care where they put that song or what they call it. It's a classic. So deceptively cheesy and poptastic at first ...but it slowly unfolds into a work of towering righteousness. The last third of that track is one of the all-time great Perry performances.
(Where's Red? I've got a feeling I'll need some back up on this one.)
Matthew wrote:amaron wrote:My dislike of Perry has lessened over the past year but I still can't believe that one of the greatest voices in rock on numerous occasions has left his fans without ANYTHING for years upon years.
It's his right, but I don't have to like him because of it.
Ten albums not ebnough for you, Amaron? Or is it eleven? Double-figures...anyway...
amaron wrote:Matthew wrote:conversationpc wrote:That song would've been great on an SP solo album, but Journey? Nah. One of the worst Journey moments ever.
I don't care where they put that song or what they call it. It's a classic. So deceptively cheesy and poptastic at first ...but it slowly unfolds into a work of towering righteousness. The last third of that track is one of the all-time great Perry performances.
(Where's Red? I've got a feeling I'll need some back up on this one.)
I'll back you up.
I love the guitar solo, the sax solo, and Perry's vocals after that.
amaron wrote:Matthew wrote:conversationpc wrote:That song would've been great on an SP solo album, but Journey? Nah. One of the worst Journey moments ever.
I don't care where they put that song or what they call it. It's a classic. So deceptively cheesy and poptastic at first ...but it slowly unfolds into a work of towering righteousness. The last third of that track is one of the all-time great Perry performances.
(Where's Red? I've got a feeling I'll need some back up on this one.)
I'll back you up.
I love the guitar solo, the sax solo, and Perry's vocals after that.
amaron wrote:Matthew wrote:amaron wrote:My dislike of Perry has lessened over the past year but I still can't believe that one of the greatest voices in rock on numerous occasions has left his fans without ANYTHING for years upon years.
It's his right, but I don't have to like him because of it.
Ten albums not ebnough for you, Amaron? Or is it eleven? Double-figures...anyway...
From 1986-2007 Steve Perry has given his fans 10 albums?
FTLOSM
Trial By Fire
GH+5
That's 3. In 21 years.
I'm sorry if I don't consider the David Pack 'contribution' worthwhile.
conversationpc wrote:amaron wrote:Matthew wrote:conversationpc wrote:That song would've been great on an SP solo album, but Journey? Nah. One of the worst Journey moments ever.
I don't care where they put that song or what they call it. It's a classic. So deceptively cheesy and poptastic at first ...but it slowly unfolds into a work of towering righteousness. The last third of that track is one of the all-time great Perry performances.
(Where's Red? I've got a feeling I'll need some back up on this one.)
I'll back you up.
I love the guitar solo, the sax solo, and Perry's vocals after that.
So do I but it would have been much more at home on a Perry solo album.
Users browsing this forum: No registered users and 9 guests