RedWingFan wrote:Nobody in this post said anything about a "flop". I'll recap for you okay? Try to follow along.
"Try to follow along." How adorable. Somebody is following somebody else's playbook.
RedWingFan wrote:1. TNC said, MOS had a "tepid and disappointing public reaction."
Which I already responded to.
RedWingFan wrote:2. YoungJourney cited, "The massive opening night numbers..." as a counter-argument.
3. I pointed out that the huge 2nd week dropoff that followed that massive opening confirms TNC's argument. Because...
4. 40% of MOS's $291M domestic gross came on opening weekend with 116M!!! In other words, 40% bought tickets before they knew how good or bad the movie was.
Iron Man 3 made a shit-ton of money and it sucks. It's easily explained: RDJ + first post-
Avengers film + misleading trailers that suggested a radically storyline. Presto. Then you get in the theater, and one stupid thing after another happens. It didn't make money because the same person saw it 4-5 times, it made money because a gazillion people went and saw it
once. Many of those people were the same idiots who complained there "wasn't enough Batman" in
TDKR, never mind that Stark is barely inside the suit in the third film of the trilogy.
In spite of having to again reboot a character that has been in no fewer than FIVE theatrical releases,
MoS obviously made an impression if it generated $100M on DVD. Sidestep that item all you like, but it doesn't negate it.
RedWingFan wrote:5. Compare that with Raimi's Spiderman (a similiarly popular hero) which opened with a $114M weekend. That accounted for only 28% of its $403M domestic gross. Raimi's SM2 opened with an $88M opening which was only 28% of its $373M domestic gross. These movies had repeat viewings and strong public reaction that MOS did not have. TNC is spot on.
You guys are trying too hard. I could also list off a bunch of movies that made more than
MoS. Spider-Man is one of Marvel's most popular characters and that was the first time they made a movie with him. Its success was deserved. Keep in mind that we were between Batman sagas at that point in time and the only other franchise that had popped up was X-Men. It's not wrong to offer something different. That's exactly where Snyder's coming from. Which other director would've filmed a nice long opening segment and Krypton because he was inspired by the adult science-fantasy comics magazine
Heavy Metal that he read as a kid. I also read
Heavy Metal in the '80s, so it made sense. He also brought to the table what had been missing from previous Superman films: epic battles with like-powered foes with a modern FX palette.*
*Notice I said MODERN, so please do not do the obvious thing and cite
Superman II.
RedWingFan wrote:6. Raimi's bad SM3 grossed $151M on its opening weekend almost 45% of Its domestic gross $336M. If you use YoungJourneys biased thinking, these "massive opening night numbers" mean that this was the best "public reaction" of the 3. It doesn't. It means more people laid out their cash before actually seeing what turned out to be a disappointing movie. Was it a "flop"? No, it made money. Making money on opening weekend doesn't mean it was well received by audiences. MOS and SM3 were not, the majority of people didn't care to recommend it or see it again.
TNC has referred to it as a flop before, and you've become his Yes-man. I've already stated that a lot of people were turned off by the neck snap. If
MoS had adhered to Superman's decades-old boy scout shtick, it would've made a lot more money. You must be reading every other post. Try to read ALL of them. In other words, try to follow along.
RedWingFan wrote:8. I just scrolled up and realized that The Sixth Sense grossed 2M dollars more domestically than MOS.

Too bad M. Night's great track record ended with the next movie he made. You guys are trying way too hard.