Moderator: Andrew
I Stumble In wrote:I agree in the fact that there is no way that this is going to happen right now. As for cutting a new CD - I think that a CD with DDY on vs. the line up right now would be a HUGE flop. DDY and the current line up are on different plains of musical taste right now. It goes back to the basic principal that DDY is into his broadway - ballad thing, and the band is into being more of a true rock band. That isn't a slam on any one of them - it's just where their tastes are. I don't think that the combination would ever work.
The only way I see DDY back is if one of the other original member dies (Chuck or JY). No - I don't mean it as a joke. Zan had a great point comparing the band to divorcing parents. There may be bad blood - but a death can bring feuding families back together.
I do agree that they do need to freshen up the set list. How about Little Suzie and a few of the other rockers that you never hear in concert. I do want to hear a CD from this line - up. Glen brought a lot to the table - and I think that a few on this board are a little too quick to dismiss Ricky. He is an accomplished musician that has written and performed with some pretty heady acts. I look forward to hearing a CD with his influences on it. Shit - who would ever thought that there would be a link between Led Zep - and Styx? Funny to think about.
DarrenUK wrote:But was it not the fact that Dennis has always been into ballads and art rock type of songs and JY and Tommy are more rock tune oriniated and it is that combination that made them the great band that they were and can be again ?
sadie65 wrote:I'll step out of lurk mode only to post this as it seems fitting for this discussion.
http://www.recordnet.com/apps/pbcs.dll/ ... 50310/1002
Forget 'Mr. Roboto'
Today's Styx emphasizes band's no-frills rock roots
Joshua Rotter
Special to The Record
Published Thursday, Jun 15, 2006
James Young is determined to reshape Styx's legacy.
The band emerged from the Chicago club scene in the mid-1970s with a strong pop-rock sound that earned it airplay on AM top 40 and FM album rock. That identity, however, was blurred over the years through the success of Dennis DeYoung's ballads and concept albums.
DeYoung is long gone from the band's ranks, and guitarist Young has spent years re-establishing Styx's original sound and - he hopes - image.
"We play the hits," Young said. "But songs like 'Babe' and 'Don't Let It End' make me cringe, so we don't play them. We're a heavy-rock band, with all the power, finesse, attitude and swagger."
Styx performs Wednesday at the San Joaquin Fair.
As Young tells the story, the group worked as a cohesive whole during its early years. Besides Young and DeYoung (keyboards), the band featured John Curulewski (guitar) and brothers Chuck Panozzo (bass) and John Panozzo (drums). The men struggled through four releases on One Way and RCA Records.
All that changed when the group signed with A&M and "Lady" reached the top 10 in early 1975. Tommy Shaw replaced Curulewski, and Styx emerged as one of America's most-popular rock acts over the next four years, selling millions of copies of the albums "Equinox" (1975), "Crystal Ball" (1976), "The Grand Illusion" (1977) and "Pieces of Eight" (1978). The rocking singles "Come Sail Away," "Renegade," "Blue Collar Man" and "Fooling Yourself (The Angry Young Man)" remain staples of the group's live act.
The success of the 1979 DeYoung ballad "Babe," however, changed Styx. Like Michael McDonald in the Doobie Brothers and Lionel Richie in the Commodores, DeYoung became the hit-single writer who determined the band's direction.
From the 3 million-selling "Cornerstone" (1979) to the concept albums "Paradise Theater" (1981) and "Kilroy Was Here" (1983), DeYoung led the group in an ever-more pop and theatrical direction. Young and Shaw resisted, and there was an eventual showdown.
"By 1983, we had spent a lot of time together," Young said. "We all felt our ideas had been suppressed in the context of Styx."
Styx disbanded in 1984. DeYoung pursued a solo career, which yielded the hit "Desert Moon." Shaw formed Damn Yankees, which scored with the 1990 power ballad "High Enough."
Fans would wait six more years for Styx's first full-on reunion tour. There was a new group album, "Edge of the Century" (1990), and a De Young-composed hit ballad, "Show Me the Way."
"We had all put out our individual ideas, which were not as successful as the band," Young said. "We realized that we're better teamed up, and said, 'Let's recapture it.' "
The joyous reunion soon would suffer drummer John Panozzo's death after battling alcoholism and DeYoung's removal. Styx persevered with Todd Sucherman, and DeYoung was replaced by Lawrence Gowan.
DeYoung sued over control of the band. Although the lawsuit was settled in 2001, bad blood remains.
"We made some amazing records together, but based on Dennis' behavior from 1982 onwards, we have no desire to work with him ever again," Young said. "Dennis seemed unwilling to be a team member."
Chuck Panozzo left the band after publicly declaring that he had AIDS. He was replaced by Ricky Phillips.
Styx is working on its next project, with a single due out in the fall. The disc, Young promised, like its stage shows, remains true to the group's roots.
"We need to be more of a rock band," he said. "We recognize that now to get airplay on a new track is more difficult, as we're typecast as dinosaurs.
"So touring is what we do to express ourselves," Young added. "This band can't be denied onstage."
Contact Joshua Rotter at features@recordnet.com
sadie65 wrote:"We made some amazing records together, but based on Dennis' behavior from 1982 onwards, we have no desire to work with him ever again," Young said. "Dennis seemed unwilling to be a team member."
Ash wrote:Based on "behavior"? I thought it was based on the fact that they didn't like his songs?
Whatever... another day - another reason from JY.
Zan wrote:Ash wrote:Based on "behavior"? I thought it was based on the fact that they didn't like his songs?
Whatever... another day - another reason from JY.
Newsflash for you: There have always been two reasons (and it wasn't exactly a tough case to crack either). Are you that naive that you believe the music was the only reason they parted ways with no chance for reconciliation? Did you miss Behind the Music? Because I distinctly remember references to DeYoung's demeanor and general attitude. And that's not including the ones where you could read between the lines. Maybe you haven't been paying attention.
For what it's worth, I've heard lots of good things about Dennis in the last couple of years, but let's not kid ourselves into thinking they kicked the "poor, ailing guy" to the curb just because he prefered ballads over rock. There was always more to it.
Ash wrote:Zan wrote:Ash wrote:Based on "behavior"? I thought it was based on the fact that they didn't like his songs?
Whatever... another day - another reason from JY.
Newsflash for you: There have always been two reasons (and it wasn't exactly a tough case to crack either). Are you that naive that you believe the music was the only reason they parted ways with no chance for reconciliation? Did you miss Behind the Music? Because I distinctly remember references to DeYoung's demeanor and general attitude. And that's not including the ones where you could read between the lines. Maybe you haven't been paying attention.
For what it's worth, I've heard lots of good things about Dennis in the last couple of years, but let's not kid ourselves into thinking they kicked the "poor, ailing guy" to the curb just because he prefered ballads over rock. There was always more to it.
No I get it totally... I'm not naieve - but he seems to pull out one of his rotating reasons du'jour like he's never said it before. You seem to be ignoring my point (and I wonder why since it was clearly stated) that JY feels he has to build himself up by tearing down Dennis. Thats the only way the people at the bottom of the mountain can get to the top.... by knocking the guy at the top off (or trying).
But for the record:
OK... JY... we get it. You don't like ballads.... You don't like the way Dennis ran the band. You made your point (like six years ago but I digress)... perhaps now you can begin talking in specific about what cool things you have done and leave the stuff that has obviously SCARRED you for life behind.
The world was so much more improved by you getting out behind of the shadow of Dennis DeYoung to release such timeless classics as City Slicker and Out On A Day Pass (which has to be the worst piece of recorded trash I've ever heard). Throw Lady and Babe under the bus, but I'm sure "Sitting On Top Of The World" vindicates you in every way.
I really don't know how JY or anyone else survived the late 70's and early 80's being anywhere within 50 miles of Dennis DeYoung. He was obviously the worst thing to happen since Leonid Breshnev, Saddam Hussein and Fidel Castro in terms of being a Stalinist dictator. I'm sure it was tough cashing that check every week and smoking it or snorting it up your nose. I wonder how much of the royalties from the songs he mentioned went to support the drug habbits of various members of the band.
At least I'm not kidding myself JY. I'm not in denial about how good Dennis was for you and for your career. Granted it may not have been 100% your cup of tea musically, but I HAVE A NEWSFLASH - most of the people who listened to your music on a daily basis have jobs that suck and we suck it up and go to work each day. Stop complaining about things that happened 10 or 20 years ago and start living in today. Dennis is.
Zan wrote:Ash wrote:Based on "behavior"? I thought it was based on the fact that they didn't like his songs?
Whatever... another day - another reason from JY.
Newsflash for you: There have always been two reasons (and it wasn't exactly a tough case to crack either). Are you that naive that you believe the music was the only reason they parted ways with no chance for reconciliation? Did you miss Behind the Music? Because I distinctly remember references to DeYoung's demeanor and general attitude. And that's not including the ones where you could read between the lines. Maybe you haven't been paying attention.
For what it's worth, I've heard lots of good things about Dennis in the last couple of years, but let's not kid ourselves into thinking they kicked the "poor, ailing guy" to the curb just because he prefered ballads over rock. There was always more to it.
froy wrote:[quote="SuiteMadameBlue" I'm seeing Styx once or twice this summer. Life is Great!
Sounds like you are going in circles to me.
Can you please video tape Gowan when he sings Lady so we all can get violently ill.
Ash wrote:No I get it totally... I'm not naieve - but he seems to pull out one of his rotating reasons du'jour like he's never said it before. You seem to be ignoring my point (and I wonder why since it was clearly stated) that JY feels he has to build himself up by tearing down Dennis. Thats the only way the people at the bottom of the mountain can get to the top.... by knocking the guy at the top off (or trying).
Ash wrote:Keep throwing things away and soon you'll end up with what you deserve ... nothing.
Zan wrote:James Young deserves more than anyone in that band.
Ash wrote:Zan wrote:James Young deserves more than anyone in that band.
You can hate me fore saying this. But I stopped reading here. Because this is so outrageous and full of shit that I really can't read past it or get past it.
James Young would have been a cab driver forever without Dennis... and for that, he shit on his friend and continues to try and destroy him. Whatever
Ash wrote:Zan wrote:James Young deserves more than anyone in that band.
You can hate me fore saying this. But I stopped reading here. Because this is so outrageous and full of shit that I really can't read past it or get past it.
James Young would have been a cab driver forever without Dennis... and for that, he shit on his friend and continues to try and destroy him. Whatever
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