Star Plaza show spoiler, Set List included

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Postby ChicagoSTYX » Sun Oct 17, 2010 11:25 am

froy wrote:
ChicagoSTYX wrote:The one you have all been waiting for....


http://www.youtube.com/watch?v=_n_prEtr4rs



Todd is a awful drummer


Froy, now everyone will know your crazy! :lol:
STYX new album coming in 2025
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Postby froy » Sun Oct 17, 2010 11:42 am

ChicagoSTYX wrote:
froy wrote:
ChicagoSTYX wrote:The one you have all been waiting for....


http://www.youtube.com/watch?v=_n_prEtr4rs



Todd is a awful drummer


Froy, now everyone will know your crazy! :lol:


To hard for STYX John 's style fits, Todd needs to go play for Guns and Roses
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Postby StyxCollector » Sun Oct 17, 2010 3:43 pm

Mr JY Roboto wrote:That's around 2800. Still around a $100,000 show..not bad.


Where do you get $100k from?
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Postby LtVanish » Sun Oct 17, 2010 5:04 pm

StyxCollector wrote:
LtVanish wrote:Another note, Froy's favorite album Regeneration is now marked up to $20. It is literally marked up too, the $15 dollar sign was scribbled out and $20 marked next to it!


See, that I'd have a huge problem with. Make new signs. Although $20 makes sense from a purchasing standpoint - just hand 'em a $20 bill.

What was the other merch like? Any cool shirts?


They actually looked like a bunch of new items up for sale. A cool Pieces of Eight album cover shirt, Renegade shirt, Styx coffee mugs, I have no idea if they were new or not actually I really havent seen the band in a couple of years.
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Postby LtVanish » Sun Oct 17, 2010 5:09 pm

gr8dane wrote:
froy wrote:
LtVanish wrote:The Star Plaza Theatre holds 3500 people I believe, I would say it was 80% full. The crowd was pretty into the show I thought, there was more cheer though to the usual songs.



Wow a thousand empty seats not good


If there are only about 30000 people living in Merrillville,I don't know how many theatres they got.
Let's say they got a theatre that holds 500 people and then the Star Plaza that holds 3500,and no other theatres,there isn't really that much choice
of where to play.If there is 30000 people living there,then 2500 turnout is pretty descent I would say.
Doubt that would make sense to you.
Maybe Lt.Vanish can help us out with the demographics please.


Even if you exclude the fact that Merrillville is close to Chicago, NW Indiana itself has over 600,000 people living within 20 mins of this theatre. The main problem I think is Styx has overplayed this venue to death, at least once a year they are booked to play. It is a great place to see a show though, very nice theatre in a great location, plenty of free parking. I am a sucker for free parking. :)
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Postby gr8dane » Sun Oct 17, 2010 9:25 pm

LtVanish wrote:
gr8dane wrote:
froy wrote:
LtVanish wrote:The Star Plaza Theatre holds 3500 people I believe, I would say it was 80% full. The crowd was pretty into the show I thought, there was more cheer though to the usual songs.



Wow a thousand empty seats not good


If there are only about 30000 people living in Merrillville,I don't know how many theatres they got.
Let's say they got a theatre that holds 500 people and then the Star Plaza that holds 3500,and no other theatres,there isn't really that much choice
of where to play.If there is 30000 people living there,then 2500 turnout is pretty descent I would say.
Doubt that would make sense to you.
Maybe Lt.Vanish can help us out with the demographics please.


Even if you exclude the fact that Merrillville is close to Chicago, NW Indiana itself has over 600,000 people living within 20 mins of this theatre. The main problem I think is Styx has overplayed this venue to death, at least once a year they are booked to play. It is a great place to see a show though, very nice theatre in a great location, plenty of free parking. I am a sucker for free parking. :)


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Postby froy » Mon Oct 18, 2010 12:40 am

StyxCollector wrote:
Mr JY Roboto wrote:That's around 2800. Still around a $100,000 show..not bad.


Where do you get $100k from?


He made it up
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Postby Saint John » Mon Oct 18, 2010 12:46 am

I'm assuming 2,800 tickets sold X about $35-$40 per ticket = roughly $100,000 gross dollars for the show.
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Postby StyxCollector » Mon Oct 18, 2010 2:50 am

Saint John wrote:I'm assuming 2,800 tickets sold X about $35-$40 per ticket = roughly $100,000 gross dollars for the show.


It's more like $50+. Take out venue fees, Ticketmaster, management, trucking, stage crew, etc., the band members individually will probably split $75k based on what % they get (and I would assume JY and TS take the lion's share). Maybe more. Since I don't know what the breakdown is, I would be surprised if they cleared $100k every night like that.

That said, it's still a VERY good living compared to doing what I do every day or what everyone else here does for that matter. I'd do it if I got the opportunity.
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Postby Rockwriter » Mon Oct 18, 2010 9:19 am

Bearded Clam wrote:
ChicagoSTYX wrote:Here's part of a song from 10/15

http://www.youtube.com/watch?v=5OU3uCXk27s


That was one I've been very curious to hear. I think I'd be a bit disappointed after that clip, JY didn't even sound like he was trying. :(


Sounded to me like he was trying too hard, actually. Pushing to hit some highs and overshooting them a bit or breaking. Sounds as if he has some strain in that clip and is trying to compensate. Not surprising . . . I've heard through the grapevine the guys pushed a bit too hard in rehearsals and are trying to get their voices rested. I was supposed to interview them before the tour and it is on hold for now, because they are doing as little talking right now as possible. Hopefully that's still coming up, we'll have to see how it goes.

Don't forget, these songs would be vocally challenging for almost any band in its twenties, not to mention people in their fifties and sixties.

I have to say the production looks really cool, from what I can see on the videos on YouTube. Music sounds great, too. Looking forward to it . . . by the time they get to Nashville they should be plenty rested, we're late in the tour. The vocals should be at 100% by then.


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Postby Rockwriter » Mon Oct 18, 2010 9:27 am

StyxCollector wrote:
Saint John wrote:I'm assuming 2,800 tickets sold X about $35-$40 per ticket = roughly $100,000 gross dollars for the show.


It's more like $50+. Take out venue fees, Ticketmaster, management, trucking, stage crew, etc., the band members individually will probably split $75k based on what % they get (and I would assume JY and TS take the lion's share). Maybe more. Since I don't know what the breakdown is, I would be surprised if they cleared $100k every night like that.

That said, it's still a VERY good living compared to doing what I do every day or what everyone else here does for that matter. I'd do it if I got the opportunity.


Let's not forget that is ticket sales alone. Merchandising is another revenue stream altogether. A very healthy percentage of profit derives from merchandise sales.

As for me, I would NOT do it if I got the opportunity. I like my house, Carla, my dogs and my life too much. Touring would be waaaaaaaaayyyyyy too much stress and worry for me, for any amount of money. People tend to think it's some gravy train, some kind of easy money . . . think again. That's about the hardest money I can think of in the world. I can't tell you how many of the people I interview have had big chunks of their lives literally destroyed by it. Not for me, thanks.


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Postby Saint John » Mon Oct 18, 2010 9:42 am

Rockwriter wrote:
StyxCollector wrote:
Saint John wrote:I'm assuming 2,800 tickets sold X about $35-$40 per ticket = roughly $100,000 gross dollars for the show.


It's more like $50+. Take out venue fees, Ticketmaster, management, trucking, stage crew, etc., the band members individually will probably split $75k based on what % they get (and I would assume JY and TS take the lion's share). Maybe more. Since I don't know what the breakdown is, I would be surprised if they cleared $100k every night like that.

That said, it's still a VERY good living compared to doing what I do every day or what everyone else here does for that matter. I'd do it if I got the opportunity.


Let's not forget that is ticket sales alone. Merchandising is another revenue stream altogether. A very healthy percentage of profit derives from merchandise sales.

As for me, I would NOT do it if I got the opportunity. I like my house, Carla, my dogs and my life too much. Touring would be waaaaaaaaayyyyyy too much stress and worry for me, for any amount of money. People tend to think it's some gravy train, some kind of easy money . . . think again. That's about the hardest money I can think of in the world. I can't tell you how many of the people I interview have had big chunks of their lives literally destroyed by it. Not for me, thanks.


Sterling


There's a lot of merit to your post, man. I would do it NOW because I know I could handle the vices of the road. I have no desire to do drugs, drink like a fish and fuck anything that moves. That said, 10-15 years ago, given the opportunity to tour as a band member, I would have died on the road.
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Postby StyxCollector » Mon Oct 18, 2010 11:31 am

Rockwriter wrote:Let's not forget that is ticket sales alone. Merchandising is another revenue stream altogether. A very healthy percentage of profit derives from merchandise sales.


I didn't mention merch on purpose. The house usually gets a cut (usually in the area of 10% in my experience), but most of that is pure profit - a $40 shirt which costs under $5, etc.

Rockwriter wrote:As for me, I would NOT do it if I got the opportunity. I like my house, Carla, my dogs and my life too much. Touring would be waaaaaaaaayyyyyy too much stress and worry for me, for any amount of money. People tend to think it's some gravy train, some kind of easy money . . . think again. That's about the hardest money I can think of in the world. I can't tell you how many of the people I interview have had big chunks of their lives literally destroyed by it. Not for me, thanks.


I would do more what Dennis does - weekends. Or a short tour. But it would be jazz, and much less of a production. I think it would be fun to do the rock thing for a bit, but I think I'd get bored after awhile. I'll do a show or two for my new jazz album, but most likely local. I'm doing a one off Bowie/QUeen tribute show in a few weeks, but that's the first rock project I've done in a long time.
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Postby Archetype » Tue Oct 19, 2010 1:33 am

How did Gowan do on The Message? Did he play it note-for-note?
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Postby brywool » Tue Oct 19, 2010 1:50 am

LOTR- the clown graphics... what the hell? Have to agree, sounds like JY phoned in the vocals.
NO. He's NOT Steve F'ing Perry. But he's Arnel F'ing Pineda and I'm okay with that.
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Postby Everett » Tue Oct 19, 2010 4:29 am

Archetype wrote:How did Gowan do on The Message? Did he play it note-for-note?


Yup. Though i wasn't really paying attention cause i thought dennis was coming out :shock: :lol:
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Postby brywool » Tue Oct 19, 2010 4:45 am

Everett wrote:
Archetype wrote:How did Gowan do on The Message? Did he play it note-for-note?


Yup. Though i wasn't really paying attention cause i thought dennis was coming out :shock: :lol:


The Message sounds like a kid falling over the keyboard rack in a music store. Seriously lame piece of "music". Another time where Dennis should've self-edited.
NO. He's NOT Steve F'ing Perry. But he's Arnel F'ing Pineda and I'm okay with that.
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Postby Everett » Tue Oct 19, 2010 4:47 am

brywool wrote:
Everett wrote:
Archetype wrote:How did Gowan do on The Message? Did he play it note-for-note?


Yup. Though i wasn't really paying attention cause i thought dennis was coming out :shock: :lol:


The Message sounds like a kid falling over the keyboard rack in a music store. Seriously lame piece of "music". Another time where Dennis should've self-edited.


Couldn't agree more
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Postby cittadeeno23 » Tue Oct 19, 2010 5:42 am

That spinning keyboard is so goddamn annoying.
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Postby Archetype » Tue Oct 19, 2010 7:39 am

froy wrote:
ChicagoSTYX wrote:
froy wrote:
ChicagoSTYX wrote:The one you have all been waiting for....


http://www.youtube.com/watch?v=_n_prEtr4rs



Todd is a awful drummer


Froy, now everyone will know your crazy! :lol:


To hard for STYX John 's style fits, Todd needs to go play for Guns and Roses


Gotta wonder what you think of Deen Castronovo in Journey then...
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Postby brywool » Tue Oct 19, 2010 7:42 am

Archetype wrote:
froy wrote:
ChicagoSTYX wrote:
froy wrote:
ChicagoSTYX wrote:The one you have all been waiting for....


http://www.youtube.com/watch?v=_n_prEtr4rs



Todd is a awful drummer


Froy, now everyone will know your crazy! :lol:


To hard for STYX John 's style fits, Todd needs to go play for Guns and Roses


Gotta wonder what you think of Deen Castronovo in Journey then...


Deen's nowhere near the drummer Todd or Smith is. He's decent, but seems to lack a bit of finesse at times. Still, a drummer who can sing like Deen... can't really argue with that!
NO. He's NOT Steve F'ing Perry. But he's Arnel F'ing Pineda and I'm okay with that.
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Postby LtVanish » Tue Oct 19, 2010 7:43 am

Archetype wrote:
froy wrote:
ChicagoSTYX wrote:
froy wrote:
ChicagoSTYX wrote:The one you have all been waiting for....


http://www.youtube.com/watch?v=_n_prEtr4rs



Todd is a awful drummer


Froy, now everyone will know your crazy! :lol:


To hard for STYX John 's style fits, Todd needs to go play for Guns and Roses


Gotta wonder what you think of Deen Castronovo in Journey then...


I personally don't like Deen's tone to his drums, I hate flat sounding toms.
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Postby bugsymalone » Tue Oct 19, 2010 7:55 am

brywool wrote:
Everett wrote:
Archetype wrote:How did Gowan do on The Message? Did he play it note-for-note?


Yup. Though i wasn't really paying attention cause i thought dennis was coming out :shock: :lol:


The Message sounds like a kid falling over the keyboard rack in a music store. Seriously lame piece of "music". Another time where Dennis should've self-edited.


I always thought it was kinda cool. Sort of mysterious and majestic at the same time, not unlike the Tolkien books.

Who knows, Bry, maybe he DID fall over the keyboard and thought "Hmmm...that sounds interesting. Maybe I'll build on that. Once I work my hand out of this speaker."


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Postby froy » Tue Oct 19, 2010 9:40 am

Archetype wrote:
froy wrote:
ChicagoSTYX wrote:
froy wrote:
ChicagoSTYX wrote:The one you have all been waiting for....


http://www.youtube.com/watch?v=_n_prEtr4rs



Todd is a awful drummer


Froy, now everyone will know your crazy! :lol:


To hard for STYX John 's style fits, Todd needs to go play for Guns and Roses


Gotta wonder what you think of Deen Castronovo in Journey then...


Good question I would rather see Steve Smith in Journey any day.
Dean is a banger also. Difference though Dean can sing great harmonies,
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Postby Rockwriter » Tue Oct 19, 2010 9:50 am

Saint John wrote:
Rockwriter wrote:
StyxCollector wrote:
Saint John wrote:I'm assuming 2,800 tickets sold X about $35-$40 per ticket = roughly $100,000 gross dollars for the show.


It's more like $50+. Take out venue fees, Ticketmaster, management, trucking, stage crew, etc., the band members individually will probably split $75k based on what % they get (and I would assume JY and TS take the lion's share). Maybe more. Since I don't know what the breakdown is, I would be surprised if they cleared $100k every night like that.

That said, it's still a VERY good living compared to doing what I do every day or what everyone else here does for that matter. I'd do it if I got the opportunity.


Let's not forget that is ticket sales alone. Merchandising is another revenue stream altogether. A very healthy percentage of profit derives from merchandise sales.

As for me, I would NOT do it if I got the opportunity. I like my house, Carla, my dogs and my life too much. Touring would be waaaaaaaaayyyyyy too much stress and worry for me, for any amount of money. People tend to think it's some gravy train, some kind of easy money . . . think again. That's about the hardest money I can think of in the world. I can't tell you how many of the people I interview have had big chunks of their lives literally destroyed by it. Not for me, thanks.


Sterling


There's a lot of merit to your post, man. I would do it NOW because I know I could handle the vices of the road. I have no desire to do drugs, drink like a fish and fuck anything that moves. That said, 10-15 years ago, given the opportunity to tour as a band member, I would have died on the road.


I understand what you mean . . . on the one hand, the road is tough for young people because they might not have the tools to deal with the incredible temptations. On the other hand the road is tough for older people because they have more ties to houses, families and so on and so forth.

Bottom line, the road is tough, and not for everyone. Certainly not for me. Studio work, that's more my speed, thanks.


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Postby Rockwriter » Tue Oct 19, 2010 9:54 am

brywool wrote:
Everett wrote:
Archetype wrote:How did Gowan do on The Message? Did he play it note-for-note?


Yup. Though i wasn't really paying attention cause i thought dennis was coming out :shock: :lol:


The Message sounds like a kid falling over the keyboard rack in a music store. Seriously lame piece of "music". Another time where Dennis should've self-edited.


Funny, just shows here again how different tastes can be. I've always thought it was really cool, and different for the band. Very abstract, not at all typical Dennis - but that's why I liked it. I could've seen it on a far more progressive record, something like Van der graaf Generator. And the solo in the middle of "Lords of the Ring," with that wild tone and all the half-steps, MAN I love that!

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Postby froy » Tue Oct 19, 2010 10:44 am

Rockwriter wrote:
brywool wrote:
Everett wrote:
Archetype wrote:How did Gowan do on The Message? Did he play it note-for-note?


Yup. Though i wasn't really paying attention cause i thought dennis was coming out :shock: :lol:


The Message sounds like a kid falling over the keyboard rack in a music store. Seriously lame piece of "music". Another time where Dennis should've self-edited.


Funny, just shows here again how different tastes can be. I've always thought it was really cool, and different for the band. Very abstract, not at all typical Dennis - but that's why I liked it. I could've seen it on a far more progressive record, something like Van der graaf Generator. And the solo in the middle of "Lords of the Ring," with that wild tone and all the half-steps, MAN I love that!

Sterling


I agree The message is way cool.
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Postby LtVanish » Wed Oct 20, 2010 3:59 am

I wonder if "The Message" was the original opening track for the album, it does kinda seem out of place in the middle end of side 1.
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Postby Ehwmatt » Wed Oct 20, 2010 4:10 am

Saint John wrote:
Rockwriter wrote:
StyxCollector wrote:
Saint John wrote:I'm assuming 2,800 tickets sold X about $35-$40 per ticket = roughly $100,000 gross dollars for the show.


It's more like $50+. Take out venue fees, Ticketmaster, management, trucking, stage crew, etc., the band members individually will probably split $75k based on what % they get (and I would assume JY and TS take the lion's share). Maybe more. Since I don't know what the breakdown is, I would be surprised if they cleared $100k every night like that.

That said, it's still a VERY good living compared to doing what I do every day or what everyone else here does for that matter. I'd do it if I got the opportunity.


Let's not forget that is ticket sales alone. Merchandising is another revenue stream altogether. A very healthy percentage of profit derives from merchandise sales.

As for me, I would NOT do it if I got the opportunity. I like my house, Carla, my dogs and my life too much. Touring would be waaaaaaaaayyyyyy too much stress and worry for me, for any amount of money. People tend to think it's some gravy train, some kind of easy money . . . think again. That's about the hardest money I can think of in the world. I can't tell you how many of the people I interview have had big chunks of their lives literally destroyed by it. Not for me, thanks.


Sterling


There's a lot of merit to your post, man. I would do it NOW because I know I could handle the vices of the road. I have no desire to do drugs, drink like a fish and fuck anything that moves. That said, 10-15 years ago, given the opportunity to tour as a band member, I would have died on the road.


:lol: :lol:
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Postby FormerDJMike » Thu Oct 21, 2010 12:23 am

I think charging 20 bucks for the CD is a little high. I wouldn't pay 20 for the double gold set when I can buy it at WalMart for 11.88. Over twice as many songs, cheaper AND the original versions. More than 10 bucks for 7 re-records is too steep.
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