Damn Yankees

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Re: Damn Yankees

Postby masque » Fri Jan 15, 2016 5:33 am

Toph wrote:
Boomchild wrote:
masque wrote:#2) Everyone keeps slamming Tommy's comment about wanting to rock instead of doing ballads and they continuously point out songs like Boat, She Cares, Sing for the Day and things like that.....I dont know how many of you are musicians and have ever played live before, but if you have then you will understand how truly different it FEELS to sing and play a song like Sing for the Day VS, a song like Babe or First Time. A song sing fro the day is a fun song to play and because of the non 4/4 time signature is an interesting thing to do.......however, songs like Babe and First Time are songs that truly do enter into the Barry Manalow/Air Supply territory and as a musician the only thing I would ever enjoy about playing those songs live would be the money entering into my bank account. I think Tommy was scared to death after the success of Babe that First Time would become their second Air Supply major hit and then all of a sudden those types of songs would become the centerpiece of what they would be known for and the centerpiece of their live performances instead of songs like Renegade, BCM and Come Sail Away. I have never understood why people dont understand this.....and the only thing I can figure is that many who dont recognize the difference have spent no or very little time on a stage playing live music.


As to what type of song is fun or not fun to play is based on personal taste. It's seems to me you are painting with broad brush with this example. I highly doubt this apples to all musicians that play live. It doesn't take into account the personal feelings a musician may have about the material being played.


Again, I would also point out that Mick Jones, Neil Schon, and Gary Richrath certainly played those songs as well. I still cannot understand why Styx gets slammed for ballads but Foreigner, Journey, and REO get a pass.


toph, you are 100% correct, those bands did play those kinds of songs as well......however, the only one that I would say got a "pass" was journey.....I think the cheesy ballads were the ultimate demise of foreigner beginning with "i want to know what love is".

and there is no doubt that the ballads also de-railed REO......I have always found it funny that Kevin Cronin actually complains about the ballads....yet, he was the writer of the ballads but blames record company and fan pressure on it. In fact, Richrath left the band because of their lack of "rocking". I'm sure for other reasons as well....but in interviews he mostly blamed the direction of the band as the primary reason.

in the case of foreigner, mick was the chief writer while also being the lead guitar player......so, whether for the money or simply because he truly loved them, he mostly wrote those ballads, so what's tom complain about as the lead guitar player when it's your song.....and dont forget, he was also a keyboard player and played keyboards live on their ballads.......which by the way, was the main instrument on those songs, providing him the most attention. thats important.

going back to tommy and JY......when you are coming off an album like POE and you are still playing songs like midnight ride live and you had no hand in writing a song like babe or first time, I can EASILY see why they wanted no part of it. it's apples to oranges for these guys compared to the other bands......i think you can say richrath was in a similar situation to shaw an JY, except he wrote less than shaw, so he was probably closer to being like JY in this situation.

But, I do think it's bullshit that Journey for the most part got a pass on these ballads but Styx, Foreigner and REO really didn't.
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Re: Damn Yankees

Postby Abitaman » Sat Apr 02, 2016 6:14 am

StyxCollector wrote: Just listen to the Harvest demos or the original versions of "Crystal Ball" even -


And where do you find these to listen to them?
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Re: Damn Yankees

Postby Cassie May » Sat Apr 02, 2016 6:58 am

Go to eddiewohlford.com. Eddie was a member of Harvest with Tommy, as well as other bands since Tommy was 15. There is a whole page about Harvest and Eddie's adventures with Tommy, as well as links to some of their music, including Crystal Ball as Tommy originally wrote it.

http://www.eddiewohlford.com/Harvest%20page.htm
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Re: Damn Yankees

Postby Abitaman » Sun Apr 03, 2016 12:46 am

Thank you.
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Re: Damn Yankees

Postby ztyxlynne » Sun Apr 03, 2016 7:10 am

I kind of like that original Chrystal Ball version. Kind of a Crosby, Stills, Nash feel to it.
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Re: Damn Yankees

Postby yogi » Sun Apr 03, 2016 7:46 am

I always thought that the best version of the song was when Tommy was solo on the Girls With Guns Tour. He played the Styxified version with the added verse.

I own the Harvest CD bought it quite a few years back. Very good recording with EXCELLENT vocals. Tommy was far from the only one that could sing in that group. Excellent vocal group!!
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Re: Damn Yankees

Postby Cassie May » Sun Apr 03, 2016 9:46 am

ztyxlynne wrote:I kind of like that original Chrystal Ball version. Kind of a Crosby, Stills, Nash feel to it.


CSN heavily influenced Tommy back then. He has said in interviews that he loved their harmonizing. A lot of his early bands were very into harmonizing, and that obviously served him well not only in Styx but with Jack Blades.
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Re: Damn Yankees

Postby Cassie May » Sun Apr 03, 2016 9:47 am

Abitaman wrote:Thank you.


You're welcome!
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Re: Damn Yankees

Postby Cassie May » Sun Apr 03, 2016 9:58 am

yogi wrote:I always thought that the best version of the song was when Tommy was solo on the Girls With Guns Tour. He played the Styxified version with the added verse.

I own the Harvest CD bought it quite a few years back. Very good recording with EXCELLENT vocals. Tommy was far from the only one that could sing in that group. Excellent vocal group!!



Do you mean MS Funk? I have that CD as well, and it is excellent. I also have an MP3 that I downloaded of a show in Atlanta, and it is a wonderful listen. One of the sets they'd do was 45 minutes covering Chicago songs. To hear Tommy, at 19, playing Terry Kath's solos in "25 or 6 to 4" is amazing. They were a great band. I've wondered what would have happened if they could have gotten a recording contract. I think they deserved one and I read an interview by one of the band members that their main problem in making it big was management. Apparently the band had a hard time with that, as they went through three managers in three years.
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Re: Damn Yankees

Postby yogi » Sun Apr 03, 2016 9:34 pm

100% correct It was MS Funk that I have the CD
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