CLASSIC ROCK UK: THERE IS NO STYX WITHOUT DENNIS DEYOUNG

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CLASSIC ROCK UK: THERE IS NO STYX WITHOUT DENNIS DEYOUNG

Postby SuiteMadameBlue » Fri Jul 30, 2021 8:52 am

This should be the headline above (there wasn't enough room)

IT’S VERY SIMPLE THERE IS NO STYX WITHOUT DENNIS DEYOUNG. CLASSIC ROCK MAGAZINE UK

This just came out, it’s Classic Rock Magazine in the UK.

Dennis DeYoung interview: 'no band has worked harder than Styx at diminishing its own reputation'
https://www.loudersound.com/features/de ... reputation

Dennis DeYoung interview: 'no band has worked harder than Styx at diminishing its own reputation'
By Paul Elliott (Classic Rock) about 18 hours ago

Former Styx singer Dennis DeYoung on bowing out, new album 26 East Vol 2, and the disappointment of no last Styx reunion tour

Dennis DeYoung

He has made many great albums, and now he has made his last. Dennis DeYoung is bowing out gracefully at the age of 74 with a solo record, 26 East Vol 2, that recalls his finest work from the 70s and 80s as singer, pianist and primary songwriter for Styx.

Speaking to Classic Rock from his home in Chicago, the city where he was born on February 18, 1947, DeYoung talks like a wiseguy from a mob movie, a stark contrast to the high, pure singing voice heard on those classic songs – Lady, Come Sail Away, Babe, The Best Of Times – that made Styx a multimillion-selling phenomenon in the golden age of melodic rock. He also has plenty to say for himself.

“I have a lot of great stories,” he says. “I tell myself that so I can just keep talking.”

There is much joking and laughter as he tells these stories, and twice he breaks into song. His mood changes only when he discusses his departure from Styx in 1999, and the band’s refusal to reunite with him for one last tour. But “I’ve had a great career”, he says proudly. And with 26 East Vol 2, it’s ending on a high note

So this is it, Dennis – your final album.

Unless I turn into Kiss! But yeah, this is it. I gave it my best shot, and I always did. I’ve always been so neurotic and consumed with being the best I can, and it’s made me successful and miserable at the same time.

Why end your career now?

I grew up in the greatest time in the history of mankind to be a musician. But now, the music business is shite. Do I have to explain this to you? I don’t think so. The change is not in me. The change is in the culture. The deck is heavily stacked against people in rock music, and particularly old farts like myself.


But you’re still making great music, with last year’s 26 East Vol 1, and now Vol 2. And on both albums you worked with former Survivor legend Jim Peterik – another old fart!

When I first got the offer from Frontiers Records to do Vol 1 I didn’t want to do it. Why should somebody in his seventies still be annoying the public? That’s what I thought. But Jim Peterik talked me into it, the sonofabitch! And I’m glad he did. He and I have known each other a long time, and we really connected on these records. It was all good – except for that time he kicked my dog.

Are you retiring from music, period, or will you still go out and perform live?

I’m not retiring. And if the spirit moves me I might write a song from time to time and put it out through Apple or whoever the local robber baron is. But I’m not going to go through the tortuous effort of making a complete album again, because my audience will go: “Hey, that’s nice, Dennis,” pat me on the head and then say: “Please play Come Sail Away.”

This is a fact for all classic rockers. The people who still support us are emotionally bound to the music of their youth, which is true of all generations. So if people want more music they should go ask the Talking Heads.

You made so many great albums with Styx. Which is the best?

Top three: Equinox, The Grand Illusion and Paradise Theatre. But of course The Grand Illusion is our best album. Anyone who wants to argue about it, don’t come to my door. I’ll make them look silly.

And the worst?

Our third record, The Serpent Is Rising. It had this song Jonas Psalter, which I wrote about a pirate for God’s sake! Listen, I love Long John Silver, but Jesus Christ, I don’t have an eye patch! I was trying to fit in with the prog-rock thing. But it felt disingenuous, inauthentic.

Why do such a thing?

Our second album [Styx II] was a huge failure, and I was crushed. I thought: “Oh my God, I suck! People hate what I do.” So with the next two albums I tried to be anybody but Dennis DeYoung.

So what changed?

Everything changed when Lady was a hit. [Sings] ‘Lady, when you’re with me I’m smiling!’ It was the first song I ever wrote, and when we put it on the second album nobody at radio played it. But three years later it became a hit, and then it was: “They like me!”

So I took the reins in Styx, and we came up with Equinox, which was a breakthrough. I did not do that by myself, I did it with the help and the talents of the other people in the band. But I was the guy who said: “This is the way to go, follow me, and if I screw up just hit me over the head with a shovel and bury me.”

You didn’t screw up.

I did not. Styx had a wonderful run. We made some records people liked, but my dream was always to just please my mom. My mother was Italian, and I was the firstborn, so all the hopes and dreams of mom were on me. That’s the truth. People who are very ambitious are trying to please somebody who can’t be pleased.

You married you wife Suzanne in 1970. Was she the inspiration for all those classic Styx ballads?

Every single one is about our relationship. When we met, she was fifteen and I was seventeen. It’s the only love we’ve ever known. What I didn’t understand when I was writing those songs is that there are a number of people in the world who absolutely hate romantic ballads and slam what they call the mushiness, the cheesiness, the treacle. And you know what I say to those people? “Fuck off!”

Steady on, Dennis!

Well, maybe I shouldn’t say fuck off to these people, it’s just their personal taste. But, ah, what the hell. And here’s the thing about Styx – we weren’t pussies. We rocked! You want the rough stuff? [Sings the AC/DC song] ‘Dirty deeds, done dirt cheap!’ Not bad, huh?

But here’s my definition of songwriting. I started out as a kid with an accordion, dreaming. I’m a melody man in a rhythm age. All I ever wanted to do was find some chords and attach lyrics to them and then give you my point of view, hoping that you find yourself in my story. That’s what songwriting is. And inclusive in that is my relationship with the love of my life. So I don’t want to feel like I have to apologise for that, because when you’re lying on your deathbed, love is the only thing that matters.


Last year, during lockdown, you performed one of those love songs, The Best Of Times, in a video that racked up more than a million views on YouTube. And the words in that song took on a deeper resonance in that period of isolation: ‘I know you feel these are the worst of times, I do believe it’s true/When people lock their doors and hide inside, rumour has it it’s the end of Paradise.’

Well, I guess you may now refer to me as ‘Nostradamus DeYoung’, if you don’t mind. But at first, when I saw all these other needy performers doing videos during the pandemic because they couldn’t stand the fact that people weren’t looking at them, I thought: “Do I need to pull my pants down here? I don’t want to.”

But a friend talked to me about the lyrics of The Best Of Times, and I said: “Well there’s some dumb stupid luck!” So I did the video, and it got 1.2 million views! And the comments had me in tears. I couldn’t believe the wonderful things people were saying about me, and what that song means to them.

A boost for your ego?

Listen, my ego’s big enough. Ask anybody. I know I have talent.

So you don’t need anyone blowing smoke up your ass?

Oh no, I love it! Who doesn’t want smoke blown up their ass? I’m just saying I didn’t know that people felt that way about me.

Well now you know. And you must also know that the majority of Styx fans would love to see you rejoin the band. So what is the real story there?

I’ve tried, in vain, to be in that band from the moment they replaced me. In the beginning it was my band, my idea, but now it’s really Tommy Shaw’s band. I’ve said that we should do one last tour together, for those people who made us rich men. They know I’m ready to do it. And recently it was floated as a possibility. But Tommy Shaw was the only one who spoke, and he said no.

Tommy has also said: “In retrospect, we weren’t even happy working with each other in our heyday.” What are your thoughts on that?

Let me tell you, all this stuff they said about me was the biggest exaggerated bunch of lies I’ve ever seen in my life. We liked each other. We never had a punch-up. We never screamed at each other. We weren’t those guys. We made music together. So when you cast aspersions – not only on my musical contributions, but also on my character – it’s been the greatest heartbreak in my career.


Do you also feel that Styx’s legacy has been tainted by all this?

I can’t think of a band that’s worked harder than Styx at diminishing its own reputation, and to denigrate the music that we created together. And it serves no purpose. Our fans loved us because what we did musically was very uplifting and positive. That’s what we stood for. And to harm that in any way is insane. Not to give the fans one last glimpse of us together on stage, it makes no sense to me. And I know that all Styx fans would want to see that one more time.

It’s very simple: Styx isn’t Styx without Dennis DeYoung.

You know, it’s lucky that there’s a pandemic, because I would have to fly to England and kiss you on the lips for saying that! But look, this is not about me, it’s not about money, it’s to relive, and reinforce, what lucky sonofabitches we were to find each other. And show the people that we appreciate what you’ve done for us. I’m sick over the fact that we can’t do it one more time, but what am I going to do? I just can’t for the life of me understand it.

At least you now understand what your music means to people.

You don’t know how much. And I have to thank Jim Peterik for forcing me to make these records, because I would have never heard what you just said to me, or known what I know now from Styx fans. When people open up their hearts and tell me: “This is what you mean to me,” I just think: “Man, am I glad my mom gave me accordion lessons.”
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Re: CLASSIC ROCK UK: THERE IS NO STYX WITHOUT DENNIS DEYOUN

Postby yogi » Fri Jul 30, 2021 9:58 am

Great interview.
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Re: CLASSIC ROCK UK: THERE IS NO STYX WITHOUT DENNIS DEYOUN

Postby Monker » Fri Jul 30, 2021 11:21 pm

This isn't an interview. It's a love letter to Dennis and Dennis mushing all over it. "I could kiss you." Sure he could, and a lot more, I suspect.
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Re: CLASSIC ROCK UK: THERE IS NO STYX WITHOUT DENNIS DEYOUN

Postby SuiteMadameBlue » Fri Jul 30, 2021 11:47 pm

Monker wrote:This isn't an interview. It's a love letter to Dennis and Dennis mushing all over it. "I could kiss you." Sure he could, and a lot more, I suspect.



What exactly are you implying with a lot more?
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Re: CLASSIC ROCK UK: THERE IS NO STYX WITHOUT DENNIS DEYOUN

Postby Monker » Sat Jul 31, 2021 3:10 am

SuiteMadameBlue wrote:
Monker wrote:This isn't an interview. It's a love letter to Dennis and Dennis mushing all over it. "I could kiss you." Sure he could, and a lot more, I suspect.



What exactly are you implying with a lot more?


https://www.youtube.com/watch?v=NDvIc38 ... DustinHawk
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Re: CLASSIC ROCK UK: THERE IS NO STYX WITHOUT DENNIS DEYOUN

Postby Archetype » Thu Aug 05, 2021 2:34 am

I’ve been to 7 great Styx concerts and listened to 3 outstanding Styx albums, all without Dennis DeYoung. Looking forward to concert #8 next Saturday.
"It's really important if you're going to remain a valid band that you play your new stuff. Otherwise you become a parody of what you started out doing." - Janick Gers of Iron Maiden
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Re: CLASSIC ROCK UK: THERE IS NO STYX WITHOUT DENNIS DEYOUN

Postby SuiteMadameBlue » Fri Aug 06, 2021 7:41 am

Archetype wrote:I’ve been to 7 great Styx concerts and listened to 3 outstanding Styx albums, all without Dennis DeYoung. Looking forward to concert #8 next Saturday.


Did you see this tour or 97? 5.2 million views.

I’m happy that $tyx as currently assembled gives you pleasure and I mean it. :D I have no quarrel with your musical tastes.
This is what I want to see one more time.

https://www.youtube.com/watch?app=desktop&v=Sg6ccWZJo4I

My cause has always been to end the lies about Dennis being replaced is all. You know what I would like to hear said by posters on this forum?
Dennis DeYoung led Styx musically through their greatest years and is most responsible for their success, which would include the recognition of Tommy’s talent. He hired him and immediately put him front and center. If he were jealous of Tommy he would have never done that. He did the same thing for Glen, first single , video and album title.

And finally Dennis was replaced for one reason, money. They replaced a sick member to tour and make money and that’s not a crime, that’s what people do. They choose themselves and money first. But RB&B had nothing to do with it in 1999. Roboto, Ballads, Broadway. He was a leader not a dictator.
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Re: CLASSIC ROCK UK: THERE IS NO STYX WITHOUT DENNIS DEYOUN

Postby Jodes » Fri Aug 06, 2021 1:49 pm

Styx wouldn't be the Styx we had today without Tommy Shaw pushing Dennis.

Not a dictator eh? Maybe you should read Chuck P's book about how Dear Dennis treated the Panozzo's brothers, and how Dennis treated Chuck when he was literally dying of Aids in the Hospital. "Oh right yeah Chuck, we're gonna have to have you come into the studio and record at least one bass part or you don't get your cut".

Oh yeah, btw, I've changed the royalties in Styx so that just the song writers get the majority of the royalties, but don't worry, you' and John will still get your share of touring revenue" "Oh yeah, sorry Chuck and John, I went to A&M to renegotiate our record deal and they dropped us, the band's on hiatus again" .

You wonder why Chuck sided the way he did?
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Re: CLASSIC ROCK UK: THERE IS NO STYX WITHOUT DENNIS DEYOUN

Postby StyxGuy » Sat Aug 07, 2021 2:21 am

Jodes wrote:Styx wouldn't be the Styx we had today without Tommy Shaw pushing Dennis.

Not a dictator eh? Maybe you should read Chuck P's book about how Dear Dennis treated the Panozzo's brothers, and how Dennis treated Chuck when he was literally dying of Aids in the Hospital. "Oh right yeah Chuck, we're gonna have to have you come into the studio and record at least one bass part or you don't get your cut".

Oh yeah, btw, I've changed the royalties in Styx so that just the song writers get the majority of the royalties, but don't worry, you' and John will still get your share of touring revenue" "Oh yeah, sorry Chuck and John, I went to A&M to renegotiate our record deal and they dropped us, the band's on hiatus again" .

You wonder why Chuck sided the way he did?


Here's a couple of articles where Chuck articulates on those matters;

https://www.sun-sentinel.com/news/fl-xp ... story.html

"I say thank God for Lady," says Panozzo, founding bass player for the '70s band Styx. "It's a beautiful song, timeless, and every time I hear it on the radio I go, 'Thank you.' It's the sound of pension money."

"That's when I wielded the most power I've ever had in the band, after my brother passed away," Panozzo says. "My vote determined who would get the name Styx."

Panozzo sided with Shaw and Young in part because he agreed with them on the band's direction, but also because he felt slighted by DeYoung during the recording of the album Brave New World in 1999.

"I said 'If I don't work on it, I don't want credit,'" Panozzo says. "I'll take up the challenge of going in there and recording something. And I did. Afterward I got 10 phone calls congratulating me. But if I had one thing determining my decision to go with Tommy and JY instead of Dennis, that was it."

None of the members of Styx, including DeYoung, displayed the homophobia Panozzo feared, and they have become more supportive over the years. By the early '90s, when Styx was reforming after a seven-year hiatus, everyone in the band had figured out Panozzo was gay. One member said, "I don't mind Chuck being gay. But he isn't going to be one of those Act Up guys, is he?"

https://www.tampabay.com/archive/2007/0 ... ot-stones/

We just have one more question that fans will demand we ask: Is there any way Dennis DeYoung will someday reunite with the band?
Before any more of us die, I would hope that it could happen. Every year that it doesn't happen is another year that goes by. And if you wait too long, who will care?
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Re: CLASSIC ROCK UK: THERE IS NO STYX WITHOUT DENNIS DEYOUN

Postby SuiteMadameBlue » Sat Aug 07, 2021 6:28 am

Jodes wrote:Styx wouldn't be the Styx we had today without Tommy Shaw pushing Dennis.

Not a dictator eh? Maybe you should read Chuck P's book about how Dear Dennis treated the Panozzo's brothers, and how Dennis treated Chuck when he was literally dying of Aids in the Hospital. "Oh right yeah Chuck, we're gonna have to have you come into the studio and record at least one bass part or you don't get your cut".

Oh yeah, btw, I've changed the royalties in Styx so that just the song writers get the majority of the royalties, but don't worry, you' and John will still get your share of touring revenue" "Oh yeah, sorry Chuck and John, I went to A&M to renegotiate our record deal and they dropped us, the band's on hiatus again" .

You wonder why Chuck sided the way he did?


When asked about this in an interview Dennis said, “I never knew anything about the credits on BNW I was kept completely out of the loop. In fact I didn’t know Chuck had played on their songs. My former keyboardist Jeff Vanston had even recorded in my place and I was unaware of that until I heard the mastering. They told that lie to Chuck to get his vote against me and it worked. I was really hurt that Chuck would believe that.”

Lie. Dennis has never had the power to change any agreements by himself. The majority always ruled. Until:
Fact
In 1990 Dennis insisted that their new agreement must say that all Styx decisions would need unanimous consent in order to eliminate factions. That’s why $haw and Young wanted to end that 1990 contract so they could vote him out. But to you Dennis is the dictator. He only sued the band after watching BTM.

Hip hop Hypocrisy
$haw on BTM in 2000. “I just couldn’t think of any songs about Robots”. This was said to to cover the fact that they were replacing a sick band mate for money over something that had happened 27 years earlier.

$haw in Rock Cellar 2021. “Roboto is a timeless song and an incredible arrangement”.
Huh?This was said to justify the band’s performing MR live in the first encore spot.
They are hypocrites and liars.


https://www.rockcellarmagazine.com/styx ... the-crown/
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Re: CLASSIC ROCK UK: THERE IS NO STYX WITHOUT DENNIS DEYOUN

Postby StyxGuy » Sat Aug 07, 2021 6:50 am

SuiteMadameBlue wrote:
When asked about this in an interview Dennis said, “I never knew anything about the credits on BNW I was kept completely out of the loop. In fact I didn’t know Chuck had played on their songs. My former keyboardist Jeff Vanston had even recorded in my place and I was unaware of that until I heard the mastering. They told that lie to Chuck to get his vote against me and it worked. I was really hurt that Chuck would believe that.”


Do you have a link to this interview if you don't mind? When quotes are used, I usually like to be provided the source :)
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