by piecesofeight » Tue Apr 20, 2004 5:18 am
River of Styx, other tunes flowed in symphonic show
Monday, April 19, 2004
By Jeff Kaczmarczyk
The Grand Rapids Press
This is the most unlikely rock act you've ever laid eyes on. The keyboardist doesn't look old enough to drive himself to the gig, let alone buy beer afterward.
The guitarist could pass for a computer geek who wandered onstage to solve a software conflict and picked up the guitar only to move it out of his way.
Looking for long hair? Try the orchestra conductor.
Then there's the lead singer -- nattily attired in blacks and grays, he could be the best-dressed funeral director in town.
Those are looks, and looks can be deceiving, because Dennis DeYoung and company really rock. The singer, songwriter and former keyboardist with Styx was in DeVos Performance Hall on Sunday evening with the Grand Rapids Symphony for a show titled "The Music of Styx." Classic rock sprinkled with classical melodies and a bit of Broadway entertained the cheering crowd of 1,780, clapping along on "Light Up" and standing and singing "Come Sail Away" by the end of the night.
In its heyday in the late 1970s and early '80s, Styx was one of the biggest rock acts in the business, scoring four consecutive double-platinum albums with such DeYoung songs as the soothing "Babe," the quirky "Mr. Roboto" and the expansive "The Best of Times."
DeYoung no longer is working with his former bandmates, but he's carrying on, singing the hits he wrote for the group that, incidentally, also is on the road these days.
DeYoung, 57, has gray hair and cracks jokes about looking like Tony Bennett's son. But he still has his voice, still hits the high notes on "Lady" and "Desert Moon" and carries a show through two sets, each lasting more than an hour.
He's also got a great band, including a couple of local guys, more or less. Bassist Hank Horton is from Big Rapids, drummer Kyle Woodring is from Mason, and both passed through Michigan State University. The standout is guitarist Tommy Dziallo, who's been with DeYoung since 1984. His solo on "Desert Moon" was melodic while plenty more were blistering.
DeYoung has an acerbic, sometimes cocky, sometimes self-deprecating stage patter, a regular-guy-from-Chicago doing some plain talking. On Sunday, though, he frequently got sidetracked as he tried to get just one more quip in before the next song.
DeYoung has an uncommon knack among rock musicians for writing good songs, and album tunes that never cracked the Top 40 -- "Rockin' The Paradise" and "Castle Walls" were hits with Sunday's audience.
His recent work, such as the mournful "Black Wall," his 1986 salute to veterans and the Vietnam War Memorial, and the poignant "Hello God," inspired by the 9/11 terrorist attacks, is as good, if not better than his past hits.
Along with the big hits, DeYoung included three numbers from his musical "Hunchback of Notre Dame," which has been produced in Nashville, though it hasn't made it any further yet.
Featuring the superb guest vocals of Amick Bryam, star of Broadway and the singing voice of Moses in Dreamworks' animated feature "The Prince of Egypt," the three songs are well crafted. "Heartbeat," with the vocals of Bryam, DeYoung and Dawn Marie Feusi drew the first semi-standing ovation of the night.
In some respects, with full orchestra behind him, DeYoung finally is at home. Many of his songs, such as "Grand Illusion," always did have a symphonic feel to them, even when played by a five-piece band.
I can't recall a rock concert with orchestra that made full use of the ensemble on nearly every number on the program, and not just as accompaniment.
"Lady" featured a bit of Ravel's "Bolero" as a clever interlude, and Debussy's "Clair de Lune" led "Don't Let It End."
DeYoung's lucky to have Arnie Roth, as arranger and conductor, on the podium.
Violinist and longtime associate of Chip Davis and Mannheim Steamroller, Roth is one of the best in the business, and he'll be back on April 30 with both Mannheim Steamroller and the Grand Rapids Symphony.
It would be nice someday to see DeYoung and company at the symphony's Picnic Pops at Cannonsburg.
© 2004 Grand Rapids Press.