Having said that, I think his ego definitely got the best of him and he became very domineering...the whole thing of forcing the band to do Kilroy a case in point. However, the band has to take some blame for that too, since they allowed him to twist their arms. The fact is, the four of them could have dragged DeYoung behind the studio and beat the living crap out of him, but they didn't...and we got Kilroy!

I think DeYoung started losing it after the success of Grand Illusion...that Lords of the Ring song from Pieces of Eight is horrendous, and belongs on a King Crimson album, not Styx.
Obviously Babe from Cornerstone was a ballad, and this seemed to convince him that his way (Broadway-like show tunes) was the right way. First Time certainly didn't help matters either.
Although I like Borrowed Time, it sounds dated: the keyboard intro sounds like it should be the theme song for some Seventies Today Show on NBC. DeYoung's annoying tendency to ad-lib during songs ("Don't look now but here come the Eighties!" Thanks for that warning, Den...) was starting to intrude on the songs, like Why Me.
Nothing Ever Goes As Planned from Paradis Theater is truly pathetic. How can a guy who wrote Grand Illusion write lyrics like "you go to work/you go work/you go to work/you go to work"? And what's with the dago shoes reference...does DeYoung have a problem with Italians? Lonely People is pretty crappy too.
Obviously the others didn't help...Shaw's She Cares is musical toilet paper at best.
And don't get me started on Kilroy....DeYoung's ego clearly derailed this band so badly that 22 years later they still can't get along!
