sadie65 wrote:gr8dane wrote:Grotelul wrote:Ash wrote:Honestly - I couldn't care less really.
Kansas did what you suggested. Kansas is what Styx would have become.
Kansas released Point of Know Return when Styx released Pieces of Eight. Both progressive rock albums to the core. Both were big and had huge world tours.
After this album - can you name the next Kansas album recorded? It was called Monolith and was actually better than Point of Know Return musically. But it was too prog, too dark - and Kansas fell out of the limelight - something they never recovered from. Styx evolved their sound (something every successful band does) going more acoustic (the trend at the time) and producing Cornerstone and their greatest album - Paradise Theatre. Kansas produced Audio Visions (with one minor hit) and then Vinyl Confessions and Drastic Measures with a different vocalist. Kansas produced Paradise Theatre and Kilroy was Here - two of the most well known albums of their times.
Say what you want about what music you like and what music you do not like - but if you want to try and re-write what is part of history - then it is YOU, my friend, who needs to get a life.
Kansas and Styx were not the same kind of bands in my opinio. I always placed Kansas in the far prog rock crowd who happened to have a few hits and they lost their main man shortly after. Styx was always more commercial but never totally commercial before Cornerstone. You are right, a band should not remain the same but to go from POE to Cornerstone and then Kilroy? When I first listened to Grand Illusion and then POE, it was powerful interesting rock music. Sounded heavy and was just some great rock music in my opinion. Then came Cornerstone and it was such a drastic change. It was more than a change to acoustic, it was a totally different sound. If you listen to both POE and Cornerstone, if you didn't know any better, you would swear they could be two different groups. I was just disappointed in the direction they took, mainly due to one man's opinion on what direction they should go. I think they could have remained together throughout the 80's making something really special if not for one man wanting to dictate what the group was going to do.
For a minute I thought I had been sleepwalkin' gone to the Styxboard and changed my name to Grotelul and written this,'cause that is how it see it too.Sure Babe was a monster but that still means diddly ,except if you like a nice big dollup of cheese with your Styx.Not me.
Allow me to join your club,if I may.
Perhaps Styx' greatest asset was its ability to be so many different acts rolled into one. It was for me. While I can and do respect that people have preferences as to what they want their music/art to sound/look like...I myself prefer those that evolve. If I want the same thing over and over again, I get bored. That isn't to say I don't respect divergence of taste and opinion. I really do.
I guess I just never understand why some people wish to limit output to their own comfort zone.
Nor do I see it as the acts of one man. They all had voices and options. Whether it was money, fame, adoration...they all opted to stay that course. We as a society love to build people up only to then topple them. I see this as no different. Much easier to armchair quarterback a situation than to recognize this as a mirror for everyone involved.
Like what you like. Seems a reasonble thing to do.
Peace
I totally agree with this. After all, it's not as if Dennis wrote all of the songs for the album, just his own. Tommy's contributions to CORNERSTONE were dramatically lighter and in a totally different vein as well, apart from LITM. I don't know how we can blame that on Dennis.
The reality is that prog was dying and most of the bands that did not jump off board at that time died with it shortly thereafter. Yes, ELP, Kansas, Tull . . . all experienced a big downward turn. Styx, Genesis . . . those that changed with radio continued to build.
BOTR is not exactly another "Renegade", nor is "Never Say Never". I like both, but it's clear Tommy at least was on board with changing. And it worked, so second-guessing it is kinda like saying Columbus shouldn't have sailed for America.
It's also true that while Styx' versatility was the band's greatest strength, it was also its greatest weakness. You have two or three different fan bases, wanting different things, for the same band.
I hope all is well.
Sterling