styxfansite wrote:Chuck talks about the memories with his brother over at his blog.
I've past the last few days in this most beautiful of cities.
My first visit was with my family .....So today I mark the passing of
my twin bro
John, here. John loved Hockey and was the goalie on our college hockey
team.
He brought as much passion to the game as he did playing drums on
stage.
There is one statement that I do need to clear. Sterling in his book
mentioned
that John had to work hard to be a good drummer. I have to disagree.
John was
a natural athlete. He brought that strength and coordination to the
"Tradewinds" days that would help to define some of the "Best" artistic &
Rock drumming of
his generation. His legacy in Styx lives on.
Actually, from my end, let me clear this up: although that quote is in my book, it wasn't what I personally mentioned. I was quoting Derek Sutton verbatim. It is Derek's position that at some point, it came up that John's drumming was not keeping up to snuff and then he undertook some additional work to sharpen those skills. Not MY position, but Derek's. So let's get that straight, please. A small, but important distinction.
Actually I thought the best drumming John ever did on record was on the early albums. As time went on I thought the music was more commerical, more straightforward, with less room for the kind of "busy" drumming that John did best. I like the Wooden Nickel era up through 'Pieces of Eight' best when it comes to the drums. (In fact my favorite performance of John's is on "You Better Ask"). After that there was less room for it, and starting with EOTC his skils were clearly diminished in later years. As far as LIVE drumming goes, I thought the Paradise Theatre tour was the best John ever played with Styx.
I always thought John - as with most of the members of Styx - was underrated on his instrument because he was in Styx.
Sterling