stabbim wrote:rajah2165 wrote:And I recall Dennis saying once in an interview that record companies always wanted to release material in multiple collections/greatest hits etc. packages under the Styx name. And the band had sole control of when and what was released. And he purposely restricted the use of the record company ever putting out Styx compilations.rajah2165 wrote:Best Of Styx (1977) - Wooden Nickel - styx did not own the rights to those songs. Wooden Nickel could repackage anyway they wanted to.
So, not so much with the "sole control" in that instance.rajah2165 wrote:Caught In The Act (1984) - Legitimate live album (first ever for the band)
No more "legit" than any other (in fact, less so, depending on how strict we want to to be with the definition of a "live album," but that's neither here nor there.) If post-99 live albums are fair game, so's this.rajah2165 wrote:A&M Classics (1987) - One time A&M special release - only greatest hits album at that point
So the "purposely restricted the use of the record company ever putting out Styx compilations" decree was put into place after this one, then?rajah2165 wrote:Styx Greatest Hits (1995) - Agreed to updating of Classics by including Lady, adding SMTW, and replacing Light Up with bigger hit Loreiei
Oh, I guess not. Still a compiltaion, and a largely repackaged version of one already existing at that. Still out there on the market. Still "diluting the brand."rajah2165 wrote:Styx Greatest Hits II (1996) - Per the article I mentioned (don't know the source but someone here must) Dennis was AGAINST this album being released, but was voted down by Tommy and JY.
And CP/JP, if in fact it came to a vote...but since you have no cite (what was that about "doing research?") we're going to call this hearsay for the time being. If/when you can ever prove it's true, we'll go on to discuss how it contradicts the "purposely restricted the use of the record company ever putting out Styx compilations" bit. (On a side note, it's both amusing and appropriate that if the story is true, this would be the compilation that he would choose to bellyache about.)
[quote="rajah2165}
Dear Idiot who makes things up -
Please read the attached interview given by Dennis to A. Hirt in 1999.
AH: Moving onto Styx ... last time I interviewed you in '96 for Keyboard, when I mentioned to you that A&M put out a June sampler with "While There's Still Time" on it
DDY: Yeah
AH: You got a little perturbed and you said you would talk to A&M, and then about a week later - I know this really happened - the sampler itself was recalled because my friend worked in a record store that had received it.
DDY: Yeah - that was never supposed to happen.
AH: So they had it recalled, but why did you have a change of heart and re-release it on Brave New World. And to me - in listening and comparing the two versions - it almost seems like the same backing tracks on some level.
DDY: It is! It's the same track! I mean, I added some stuff to it.
AH: I hear the echoing "time" at the end and a few keyboard things here and there.
DDY: Yes. The reason I retracted it was simple: I knew A&M didn't give a flying hoot about us. Not a hoot!
AH: Right
DDY: We gave them that, um, the what the hell's ... I was against the Greatest Hits Part 2 being released. I was against it - because I thought it was foolish. I was outvoted, and "It Takes Love To Make Love", to me, it's a hit record. I always thought it was a hit record. And I knew in my heart that A&M was not going to lift one finger - okay - to promote that record. They just want to get control of the catalog, because our contract read that they could not arbitrarily release stuff - which was the greatest thing. You know what I'm saying.
AH: Yes
DDY: Like RCA, with Wooden Nickel, they can do whatever the hell they want because that's what that contract said. But A&M couldn't arbitrarily release things. So I said don't give them control of the catalog because I knew the people involved didn't give a hoot about anything, so at the last minute I just said, "Get that outta there!" I don't want A&M to have control ... see, I didn't want them to have artistic control of that piece of property, so I took it away. Because "It Takes Love To Make Love" was written by Glen Burtnik and somebody else, and "Little Suzie" was on there, wasn't it?
AH: Yeah
DDY: And that was written by Burtnik and somebody else. I did not want A&M to have one more chance to control my songs. And that's why I took it off.
[Note: This is proof positive I created the June Sampler rarity, and I haven't been lying for 3 years!]
AH: It makes sense. Actually, "It Takes Love To Make Love" was the only song to survive from the demo sessions between Edge Of The Century and when Hits 2 was released.