Why Steve Smith will never return to Journey

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Postby NoMoreTails » Tue Sep 25, 2007 3:15 am

Matthew wrote:
NoMoreTails wrote:
I don't think Perry needed an excuse, but apparently he thought he did.
Perry was plotting his exit from Journey for a solo career as early as prior to recording Frontiers as Cain once stated that upon Jon's revealing Faithfully Perry asked for it for his solo record.


NMT - what evidence is there that Perry was plotting to leave Journey and opposed to simply doing a solo album whilst remaining a member of Journey? I'm curious...

Even if Schon made it know that he wanted HSAS to be a premanent arrangement I don't believe Perry cared in the least as he was about to work on Street Talk, likely with no intention of ever returning to Journey. What strikes a nerve is your unwillingness to see Perry's demolition of the band between Frontiers and ROR.


Right...Schon releases three albums outside of Journey and no-one cares and it's completely harmless. Whereas Perry releases one solo album and he demolishes the band.

I'm not denying that Perry was the main reason for the band's demise in '87. He was the main reason for the band's success, after all - so it would figure....but come on NMT....you can't pin the hiatus entirely on Perry.


I distinctly remember Cain making that statement but don't have documentation...
Schon's outside projects through the early 80s were only intended to be outside projects...though Hagar once said that everyone in HSAS but him wanted to continue (no cited source for that at the moment either).
I blame Schon and Cain for not listening to Herbie and showing Perry the door in '85.
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Postby conversationpc » Tue Sep 25, 2007 3:19 am

NoMoreTails wrote:I distinctly remember Cain making that statement but don't have documentation...
Schon's outside projects through the early 80s were only intended to be outside projects...though Hagar once said that everyone in HSAS but him wanted to continue (no cited source for that at the moment either).
I blame Schon and Cain for not listening to Herbie and showing Perry the door in '85.


Didn't Perry put his solo material on hold because Herbie had advised the members not to get entangled with side projects and to devote all their energies to Journey? I believe I remember Perry saying that he went ahead and did "Street Talk" because Schon had done his stuff with Jan Hammer. Then Neal was pissed because "Street Talk" had more of a Journey sound to it than his own solo stuff did.

Sounds like a big pissing match on both sides to me. Neener, neener, neener.
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Postby Matthew » Tue Sep 25, 2007 3:26 am

NoMoreTails wrote:
I distinctly remember Cain making that statement but don't have documentation...



But Cain never said that Perry wanted to leave the band. He merely said that Perry was planning to record a solo album.

Although it's true that there were rumours that Perry was about to leave Journey as early as 1983. I found that story in an old copy of Kerrang! magazine from that year...but this is probably as much documentation as we'll ever get.

Schon's outside projects through the early 80s were only intended to be outside projects...though Hagar once said that everyone in HSAS but him wanted to continue (no cited source for that at the moment either).


Well - what we know for 100% certain is that Street Talk was an 'outside project' too.


I blame Schon and Cain for not listening to Herbie and showing Perry the door in '85.


NMT - you sound so sure that it would all have worked out marvellously had they followed Herbert's advice.
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Postby NoMoreTails » Tue Sep 25, 2007 3:27 am

conversationpc wrote:
NoMoreTails wrote:I distinctly remember Cain making that statement but don't have documentation...
Schon's outside projects through the early 80s were only intended to be outside projects...though Hagar once said that everyone in HSAS but him wanted to continue (no cited source for that at the moment either).
I blame Schon and Cain for not listening to Herbie and showing Perry the door in '85.


Didn't Perry put his solo material on hold because Herbie had advised the members not to get entangled with side projects and to devote all their energies to Journey? I believe I remember Perry saying that he went ahead and did "Street Talk" because Schon had done his stuff with Jan Hammer. Then Neal was pissed because "Street Talk" had more of a Journey sound to it than his own solo stuff did.

Sounds like a big pissing match on both sides to me. Neener, neener, neener.


I believe I've heard that as well....Herbie probably thought Neal's side projects weren't a treat to the band, and that Perry would use his to leave the band. Of course Perry's "burn out" and "life's hatchets" sidetracked Journey and/OR (along with Sony's snubbing of Against The Wall) Perry's solo ambitions.
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Postby Matthew » Tue Sep 25, 2007 3:29 am

conversationpc wrote:
Didn't Perry put his solo material on hold because Herbie had advised the members not to get entangled with side projects and to devote all their energies to Journey? I believe I remember Perry saying that he went ahead and did "Street Talk" because Schon had done his stuff with Jan Hammer. Then Neal was pissed because "Street Talk" had more of a Journey sound to it than his own solo stuff did.

Sounds like a big pissing match on both sides to me. Neener, neener, neener.



Exactly, Dave...
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Postby Matthew » Tue Sep 25, 2007 3:33 am

NoMoreTails wrote:
I believe I've heard that as well....Herbie probably thought Neal's side projects weren't a treat to the band, and that Perry would use his to leave the band. Of course Perry's "burn out" and "life's hatchets" sidetracked Journey and/OR (along with Sony's snubbing of Against The Wall) Perry's solo ambitions.



Er..NMT...a minute ago you were blaming Perry for 'demolishing' the band between Frontiers and ROR....

Now you're blaming the guy for 'sidetracking' Journey with his burn out after ROR....

You'll slip around all over the place just to get that dig in against Perry won't you NMT? :)
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Postby NoMoreTails » Tue Sep 25, 2007 3:34 am

Matthew wrote:But Cain never said that Perry wanted to leave the band. He merely said that Perry was planning to record a solo album.......Well - what we know for 100% certain is that Street Talk was an 'outside project' too.

No, I didn't say that Cain said that, I've drawn my own conclusion. As far as going on what the band has said, they never told us they were broken up between 87 and 95 either.

Matthew wrote:NMT - you sound so sure that it would all have worked out marvellously had they followed Herbert's advice.

Ten years of the band's live would not have been lost, and they would have continued in a decade where there was still interest in the band. They'd have lost some of the fan base, but rock fans who lost interest with ROR would have likely returned.
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Postby NoMoreTails » Tue Sep 25, 2007 3:38 am

Matthew wrote:
NoMoreTails wrote:
I believe I've heard that as well....Herbie probably thought Neal's side projects weren't a treat to the band, and that Perry would use his to leave the band. Of course Perry's "burn out" and "life's hatchets" sidetracked Journey and/OR (along with Sony's snubbing of Against The Wall) Perry's solo ambitions.



Er..NMT...a minute ago you were blaming Perry for 'demolishing' the band between Frontiers and ROR....

Now you're blaming the guy for 'sidetracking' Journey with his burn out after ROR....

You'll slip around all over the place just to get that dig in against Perry won't you NMT? :)


I don't see any contradiction, they both apply, he broke the band up in the studio in 85 and sidetracked them for 8-9 years between ROR. and TBF, though NS and JC have themselves to blame for letting that happen.
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Postby Matthew » Tue Sep 25, 2007 3:43 am

NoMoreTails wrote:Ten years of the band's live would not have been lost, and they would have continued in a decade where there was still interest in the band. They'd have lost some of the fan base, but rock fans who lost interest with ROR would have likely returned.



Or like the vast majority of rock bands in the late 80s and early 1990s they would have seen their album sales and tour revenues decline to depressingly low levels....

Look at Foreigner, Reo, Styx, The Tubes, Asia, Kansas...all the hair bands....and...oh, the list goes on and on. This "lost decade" you goons speak of in hushed tones was actually a disastrous periood for the music we like.

Far better to quit at the top and keep the stature and mystique and leave people wanting more. Well, that was Cain's and Schon's philosophy at the time before they changed course in '98 and took Journey down to the same level as all those other bands who ploughed on with diminishing returns.

Anyway...NMT...just out of interest...who would have you replaced Perry with back in 1987?
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Postby amaron » Tue Sep 25, 2007 3:49 am

Matthew wrote:NMT - you sound so sure that it would all have worked out marvellously had they followed Herbert's advice.


While it may not have 'worked out' per se, they at least had a shot of continuing and being somewhat successful.

There was no shot in 1998, regardless of WHO they picked to sing. The music business forgot about Journey and left them behind.

EDIT: And just as as question for myself: What was the issue with ROR in the studio? Didn't it take like 2-3 years to record?
Last edited by amaron on Tue Sep 25, 2007 3:50 am, edited 1 time in total.
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Postby Matthew » Tue Sep 25, 2007 3:49 am

NoMoreTails wrote:
I don't see any contradiction, they both apply, he broke the band up in the studio in 85


Right...I see. Even though Schon and Cain started the writing and recording sessions without Perry in 1985... and were already experimenting with a new direction and with new technology...and even though they co-wrote the songs and played on the album and toured it for five months....and even though Valory's personal life was in crisis and Smith - as he has admitted himself - was too inflexible and stubborn during those sessions...despite all that...it was still entirely Perry's fault? :?
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Postby Moon Beam » Tue Sep 25, 2007 3:50 am

AR wrote:I got a rock.

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That was great Ed :lol: , here I is reading the type toss
between Nig and Matthew and you throw that in there. :lol:
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Postby Matthew » Tue Sep 25, 2007 3:51 am

amaron wrote:
Matthew wrote:NMT - you sound so sure that it would all have worked out marvellously had they followed Herbert's advice.


While it may not have 'worked out' per se, they at least had a shot of continuing and being somewhat successful.

There was no shot in 1998, regardless of WHO they picked to sing. The music business forgot about Journey and left them behind.



The music industry could have left them behind in 1990...like it did with almost every other melodic rock band.
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Postby NoMoreTails » Tue Sep 25, 2007 3:51 am

Matthew wrote:Far better to quit at the top and keep the stature and mystique and leave people wanting more. Well, that was Cain's and Schon's philosophy at the time before they changed course in '98 and took Journey down to the same level as all those other bands who ploughed on with diminishing returns.

Anyway...NMT...just out of interest...who would have you replaced Perry with back in 1987?


Prior to ROR, I felt Journey was on another plane than those bands. VH, Aerosmith, Bon Jovi, etc did fine in the next 10 year period, however, "continuing in a decade" was meant to refer specifically to the 80s.

Whoever Herbie picked.
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Postby amaron » Tue Sep 25, 2007 3:53 am

Matthew wrote:
amaron wrote:
Matthew wrote:NMT - you sound so sure that it would all have worked out marvellously had they followed Herbert's advice.


While it may not have 'worked out' per se, they at least had a shot of continuing and being somewhat successful.

There was no shot in 1998, regardless of WHO they picked to sing. The music business forgot about Journey and left them behind.



The music industry could have left them behind in 1990...like it did with almost every other melodic rock band.


I disagree, only because Journey was (IMO) the biggest band of all the ones you mentioned.

I've always thought that if they kept their name in the public eye, they would have been alright sales wise.
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Postby Matthew » Tue Sep 25, 2007 3:57 am

amaron wrote:
Matthew wrote:
amaron wrote:
Matthew wrote:NMT - you sound so sure that it would all have worked out marvellously had they followed Herbert's advice.


While it may not have 'worked out' per se, they at least had a shot of continuing and being somewhat successful.

There was no shot in 1998, regardless of WHO they picked to sing. The music business forgot about Journey and left them behind.



The music industry could have left them behind in 1990...like it did with almost every other melodic rock band.


I disagree, only because Journey was (IMO) the biggest band of all the ones you mentioned.

I've always thought that if they kept their name in the public eye, they would have been alright sales wise.


But Journey's album sales had dropped from 9 million in 1981...to 7 million in 83....to 2.5 million in '86....and if you add in a change of singer in say 1989 and then the grunge backlash against melodic rock in 90-91...well, it would have been tough for Journey to regain the lost ground.

Plus they'd already made it to the top. And Schon and Cain were enjoying success outside the band. So where was the motivation back then?
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Postby amaron » Tue Sep 25, 2007 4:05 am

Matthew wrote:
amaron wrote:
Matthew wrote:
amaron wrote:
Matthew wrote:NMT - you sound so sure that it would all have worked out marvellously had they followed Herbert's advice.


While it may not have 'worked out' per se, they at least had a shot of continuing and being somewhat successful.

There was no shot in 1998, regardless of WHO they picked to sing. The music business forgot about Journey and left them behind.



The music industry could have left them behind in 1990...like it did with almost every other melodic rock band.


I disagree, only because Journey was (IMO) the biggest band of all the ones you mentioned.

I've always thought that if they kept their name in the public eye, they would have been alright sales wise.


But Journey's album sales had dropped from 9 million in 1981...to 7 million in 83....to 2.5 million in '86....and if you add in a change of singer in say 1989 and then the grunge backlash against melodic rock in 90-91...well, it would have been tough for Journey to regain the lost ground.

Plus they'd already made it to the top. And Schon and Cain were enjoying success outside the band. So where was the motivation back then?


There wasn't real motivation back then, which is why everything happened the way it did.

The album sales numbers you posted are a bit misleading though.

Escape wasn't certified 9x platinum until 1994, Frontiers wasn't 6x until 1997. Technicalities, I know. ;)
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Postby Matthew » Tue Sep 25, 2007 4:29 am

NoMoreTails wrote:Whoever Herbie picked.



He picked Fleischmann in 1977...so I wouldn't say that his judgement is infallible, NMT.
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Postby NoMoreTails » Tue Sep 25, 2007 4:31 am

Matthew wrote:
NoMoreTails wrote:Whoever Herbie picked.



He picked Fleischmann in 1977...so I wouldn't say that his judgement is infallible, NMT.


:roll: and fired him to bring in your do-no-wrong hero...
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Postby SF-Dano » Tue Sep 25, 2007 5:17 am

Matthew wrote:
amaron wrote:
Matthew wrote:
amaron wrote:
Matthew wrote:NMT - you sound so sure that it would all have worked out marvellously had they followed Herbert's advice.


While it may not have 'worked out' per se, they at least had a shot of continuing and being somewhat successful.

There was no shot in 1998, regardless of WHO they picked to sing. The music business forgot about Journey and left them behind.



The music industry could have left them behind in 1990...like it did with almost every other melodic rock band.


I disagree, only because Journey was (IMO) the biggest band of all the ones you mentioned.

I've always thought that if they kept their name in the public eye, they would have been alright sales wise.


But Journey's album sales had dropped from 9 million in 1981...to 7 million in 83....to 2.5 million in '86....and if you add in a change of singer in say 1989 and then the grunge backlash against melodic rock in 90-91...well, it would have been tough for Journey to regain the lost ground.

Plus they'd already made it to the top. And Schon and Cain were enjoying success outside the band. So where was the motivation back then?


Just some thoughts on the numbers here. The drop between 81 and 83 could be attributed to the beginning rise in popularity of "speed" metal bands. I know, especially in the bay area at the time, this "new" sound was becoming overwhelmingly popular with young males. It was hard to admit that Journey was my favorite band back in HS in those days. The insults would fly.

Then the drop in sales for ROR. That can be attributed somewhat to changes in the musical climate, but IMO it was mostly that ROR did not have the "sound" expected by or wanted by the majority of the fan base at that time. I know I did not immediately like the album overall at that time. It really had to grow on me. There are still a couple of songs on there I do not like at all.

Matt, you stated earlier regarding ROR, that the public was "demanding" a change in the sound of popular music and Journey's sound (If I have that wrong, sorry). I don't believe there was any such demand by the public, rather the change was forced on the public by the record companies and media outlets (radio, mtv)only playing and promoting a certain type of music. Which has always happened whether it be the influs of disco, "new wave", rap, grunge, etc. IMO rock fans love certain bands for their signature sound, it is one of the things that sets rock fans apart from others.. And it is always a risk when a band changes that sound. Again, IMO if you are a Rock band and you are going to change it had better be for the harder and not the softer or more "bubble gum" sound. As you said, I think Rush and their fans are the exception to the rule. By the way this is all opinion with the experience of having been a teen in HS during the 80's.
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Postby Matthew » Tue Sep 25, 2007 9:00 am

NoMoreTails wrote:
Matthew wrote:
NoMoreTails wrote:Whoever Herbie picked.



He picked Fleischmann in 1977...so I wouldn't say that his judgement is infallible, NMT.


:roll: and fired him to bring in your do-no-wrong hero...



What's with the eye-roll? Because I dared to suggest that Herbert's decision making wasn't absolutely perfect at all times? Are you a fanatic about him too?
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Postby Matthew » Tue Sep 25, 2007 9:29 am

SF-Dano wrote:Just some thoughts on the numbers here. The drop between 81 and 83 could be attributed to the beginning rise in popularity of "speed" metal bands. I know, especially in the bay area at the time, this "new" sound was becoming overwhelmingly popular with young males. It was hard to admit that Journey was my favorite band back in HS in those days. The insults would fly.


Same in the UK, SF - although Metallica didn't start catching on in a big way until 84/85. And yes...AOR or 'wimp rock' was definitely a guilty pleasure back then.

Then the drop in sales for ROR. That can be attributed somewhat to changes in the musical climate, but IMO it was mostly that ROR did not have the "sound" expected by or wanted by the majority of the fan base at that time. I know I did not immediately like the album overall at that time. It really had to grow on me. There are still a couple of songs on there I do not like at all.


You're probably right, SF. But I guess with Street Talk being such a success it's easy to see why they thought the fan base would more more accepting of that sound than they perhaps turned out to be.

Matt, you stated earlier regarding ROR, that the public was "demanding" a change in the sound of popular music and Journey's sound (If I have that wrong, sorry). I don't believe there was any such demand by the public, rather the change was forced on the public by the record companies and media outlets (radio, mtv)only playing and promoting a certain type of music.


I'm not sure if the public was actively 'demanding it' but the use of synthesizers and drum machines was hugely popular. Maybe the industry falsely created this popularity by cutting off alternatives - but did Genesis, Queen, Yes, Heart, Foreigner and Rush radically alter their sound because the record companies forced them too? I doubt it somehow. Maybe I'm being naive but I reckon they were genuinely excited by the new possibilities. And so too were Journey. They just didn't have the kind of fanbase which welcomed change, it seems.

Which has always happened whether it be the influs of disco, "new wave", rap, grunge, etc. IMO rock fans love certain bands for their signature sound, it is one of the things that sets rock fans apart from others.. And it is always a risk when a band changes that sound. Again, IMO if you are a Rock band and you are going to change it had better be for the harder and not the softer or more "bubble gum" sound. As you said, I think Rush and their fans are the exception to the rule. By the way this is all opinion with the experience of having been a teen in HS during the 80's.


I agree with you, SF - except I do think the mid-80s was an exception to the rule as well. Most of the big 70s groups radically changed their sound away from the traditional rock signature sound and toward a keyboard-driven 'pop' sound by - say - 1985. And they became more successful or at least were able to sustain their success as a result.

Also - as you say - the metal scene was thriving so if you wanted the next level in terms of guitar music there were plenty of ground-breaking metal bands to listen to. In terms of mainstream rock though guitar and traditional drums had started to sounded a bit dated. In the 1990s and in this decade the old mainstream rock bands that were still going have reverted back to a guitar-led approach. Rush are now much heavier than they were in the mid-80s and have almost come full circle to their 70s sound, haven't they?

But twenty years ago anything that reeked of the 70s was a bit of a joke and was doomed commercially. That's how I remember it anyway.
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Postby Eric » Tue Sep 25, 2007 10:00 am

Rockindeano wrote:
Eric wrote:
NealIsGod wrote: So... you say Schon relied on Perry, but he was able to form a pretty kick ass band with Bad English and another with Hardline, not to mention HSAS. How is that relying on Perry?


This is evidence that he tried to wait for Perry.


Euro, Neal didn't try to wait on Perry...He DID wait on Perry, too fucking long I might add. That is all on Perry. You cannot spin the fact that Espee was a big boy..he had a job to do and simply said "fuck it" I am taking the day, week, month and decade off. Where Neal and Princess fucked up was they actually waited for him.


Euro???? I'm Rochester, NY! You on the left coast are much closer to being a Socialist Euro than me!

They did wait too long. The tried is just to make it clear to those that say they should have waited. They did wait, and tried their best.,,,
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Postby Eric » Tue Sep 25, 2007 10:07 am

Journey could have made a change in 1984 to Mickey Thomas. They would have lose some fans, but still have multiple platinum albums and solid grossing tours. ...

I'm still not sure that Mickey Thomas isn't a good choice now. He made some Arrival cuts sound pretty good on his "Over the Edge" record, he has fans, and he can write.....
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Postby SF-Dano » Tue Sep 25, 2007 10:07 am

Matthew wrote:But twenty years ago anything that reeked of the 70s was a bit of a joke and was doomed commercially. That's how I remember it anyway.


I don't know Matt. Maybe it was because I was coming into my teen years during the 80s and my music of choice became more of the hard rock of the 70's bands such as Led Zep, Deep Purple, UFO, Lynrd Skynrd, Hendrix, Who, Journey,etc). So that music was still "new" to me. As well as keeping up with the new AOR material being released. And all of this is still the sound that I love 20 - 30 years later.

As far as the rock bands that moved to a more "pop" synth sound in the 80s, I think some had success and some did not. Van Halen lost a lot of their fans with the 1984 album, and then even more when Sammy came in. Overcourse in that situation, many new fans came in to fill the void. Triumph was a band I loved back in the 80s, but I recall as they tried to keep with the trends in music their popularity decayed circa the "Sport of Kings" record. Styx had short lived success with the "Kilroy was Here" album. But they lost their main fanbase with that record, and the new fans were only along for the ride on that record. Heart, again, it was not their fans from the 70's that sustained their success in the 80's and again the 80s success was fleeting with them also.

Then there were bands such as AC/DC, The Scorpions, Iron Maiden, Judas Priest, and others whos style may have changed subtlely from release to release but not drastically where they were almost redefining themselves. These bands enjoyed worldwide success and support throuout their 70s and 80s carreers.

I can appreciate reading your perspective however. It shows that many factors can play into the rise or fall of a band, even geographical, and chronological factors. On as side note I have a friend who's son is in his late teens and he and all his friends sport AC/DC, Scorpions, Iron Maiden shirts now. I talked with him and asked him if he thought those groups sounded dated. His response was " Alot of this music is new to me. I had not listened to it before a couple years ago. Some bands music is timeless. There is so much of this stuff out there, that I can find something new everyday." Especially with the internet and the Technology we have today. The muscians and some fans may feel certain music may sound dated. But remember it is alway new to somebody.

Wow!!!!! Sorry for the ramble.
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Postby Matthew » Tue Sep 25, 2007 10:28 am

SF-Dano wrote:I don't know Matt. Maybe it was because I was coming into my teen years during the 80s and my music of choice became more of the hard rock of the 70's bands such as Led Zep, Deep Purple, UFO, Lynrd Skynrd, Hendrix, Who, Journey,etc). So that music was still "new" to me. As well as keeping up with the new AOR material being released. And all of this is still the sound that I love 20 - 30 years later.


Me too SF. And UFO is a good example of how some bands should never try to adapt to the times. Their Misdemeanour album in 1985 had some good songs but the keyboard-heavy and big synthetic snare drum production did the band no favours. Still...I doubt that even Obsession would have been a hit in '85.

As far as the rock bands that moved to a more "pop" synth sound in the 80s, I think some had success and some did not. Van Halen lost a lot of their fans with the 1984 album, and then even more when Sammy came in.


Maybe in your circle SF - but overall in the States and internationally I think 1984 and 5150 were by far their most commercially successful albums.

Triumph was a band I loved back in the 80s, but I recall as they tried to keep with the trends in music their popularity decayed circa the "Sport of Kings" record.


My favourite Triumph album by a mile!

Heart, again, it was not their fans from the 70's that sustained their success in the 80's and again the 80s success was fleeting with them also.


Weren't Heart losing their fan base even before Ron Nevison and Mutt Lange updated their sound and pushed the keyboards right up in the mix? Plus they had three gigantic albums in a row between '85 and '90. And I'd say that - "Barracuda" aside - most people remember "Alone" and "These Dreams" now.

Then there were bands such as AC/DC, The Scorpions, Iron Maiden, Judas Priest, and others whos style may have changed subtlely from release to release but not drastically where they were almost redefining themselves.


But these are metal bands, SF. Journey belong in a different genre along with Queen, Rush, Genesis, Foreigner and so on. I reckon the overall rock genre split into two main camps in the first six or seven years of the 80s: metal and pop/rock. I guess godawful bands such as Bon Jovi and all the terrible groups they inspired bridged the gap to some extent later on....

On as side note I have a friend who's son is in his late teens and he and all his friends sport AC/DC, Scorpions, Iron Maiden shirts now. I talked with him and asked him if he thought those groups sounded dated. His response was " Alot of this music is new to me. I had not listened to it before a couple years ago. Some bands music is timeless. There is so much of this stuff out there, that I can find something new everyday." Especially with the internet and the Technology we have today. The muscians and some fans may feel certain music may sound dated. But remember it is alway new to somebody.

Wow!!!!! Sorry for the ramble.



Interesting isn't it? My teenage brother is just the same. He and his friends don't seeem to have that sense of it mattering whether or not music 'belongs' to their own generation. They just don't seem to care how old the band are or even how old the average audience is either. It wasn't like that when I was his age. The generations seemed much more segregated somehow.
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Postby conversationpc » Tue Sep 25, 2007 11:57 am

Matthew wrote:
SF-Dano wrote:
As far as the rock bands that moved to a more "pop" synth sound in the 80s, I think some had success and some did not. Van Halen lost a lot of their fans with the 1984 album, and then even more when Sammy came in.


Maybe in your circle SF - but overall in the States and internationally I think 1984 and 5150 were by far their most commercially successful albums.


"1984" and their debut both went diamond (10 million plus). "5150" was their first #1 album, if I remember correctly and that tour was extremely successful. "OU812" and "For Unlawful Carnal Knowledge" also went to #1. I can't remember if "Balance" did or not but it was also very succesful.
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Postby Monker » Tue Sep 25, 2007 12:10 pm

conversationpc wrote:
NoMoreTails wrote:I distinctly remember Cain making that statement but don't have documentation...
Schon's outside projects through the early 80s were only intended to be outside projects...though Hagar once said that everyone in HSAS but him wanted to continue (no cited source for that at the moment either).
I blame Schon and Cain for not listening to Herbie and showing Perry the door in '85.


Didn't Perry put his solo material on hold because Herbie had advised the members not to get entangled with side projects and to devote all their energies to Journey? I believe I remember Perry saying that he went ahead and did "Street Talk" because Schon had done his stuff with Jan Hammer. Then Neal was pissed because "Street Talk" had more of a Journey sound to it than his own solo stuff did.

Sounds like a big pissing match on both sides to me. Neener, neener, neener.


The simple fact is: Neal's "outside projects" did not affect Journey AT ALL. Perry's DID - in ever way imaginable. It delayed an album, it took over the sound of Journey, it made Perry the producer, and on and on and on. That is why Neal should 'rue the day'...in many ways, HE opened the door for ST and then ROR.
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Postby Monker » Tue Sep 25, 2007 12:17 pm

Matthew wrote:Or like the vast majority of rock bands in the late 80s and early 1990s they would have seen their album sales and tour revenues decline to depressingly low levels....

Look at Foreigner, Reo, Styx, The Tubes, Asia, Kansas...all the hair bands....and...oh, the list goes on and on. This "lost decade" you goons speak of in hushed tones was actually a disastrous periood for the music we like.


Give it a rest. Foreigner lost Lou Gramm. Styx lost Tommy and then Tommy came back and they lost Dennis. Who gives a damn about The Tubes? Asia started losing members of the band after their first album. How many people have been in and out of Kansas over the y ears?.

NONE of these examples are comparable to a Journey that had continued on after ROR - none.

Far better to quit at the top and keep the stature and mystique and leave people wanting more.


Then you are saying Journey should have broke up after Escape, or maybe Frontiers....because ROR was NOT the 'top' of anything.

Well, that was Cain's and Schon's philosophy at the time before they changed course in '98 and took Journey down to the same level as all those other bands who ploughed on with diminishing returns.


Which was not a true statement...because those bands you mention above would have been OPENING for Journey...up until after the DL tour.
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Postby Monker » Tue Sep 25, 2007 12:18 pm

amaron wrote:EDIT: And just as as question for myself: What was the issue with ROR in the studio? Didn't it take like 2-3 years to record?


Perry was producing and they scrapped the album and started over at least twice.
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