Stepping away from politics for some far lighter fare:
http://www.oregonlive.com/O/entertainme ... xml&coll=7
Moody guitarist will flap his Wings again
Saturday, October 04, 2008
PETER AMES CARLIN
The Oregonian Staff
D enny Laine is kind of a rock 'n roll hero. Just not the kind you hear about very often.
He's an understated guy, more involved with his guitar than with talking about how many legendary musicians he's played with, though it's a pretty impressive list. Just consider his decade-long run as Paul McCartney's chief co-pilot in Wings during the 1970s.
And that was after Laine co-founded the Moody Blues and served as lead singer on the group's first hit single, a driving piano ballad called "Go Now." Laine left the group in 1966, founded the Electric String Band, which earned the acclaim of Jimi Hendrix, among others. He played with Stevie Winwood and Ric Grech in the all-star band Ginger Baker's Air Force, then in 1971 fielded a call from McCartney.
Laine will be playing an array of Wings-era hits at the Aladdin Theater on Sunday night. The music will come bracketed by tales about rock's most legendary figures, but typically, Laine won't be doing the talking: that will fall to the show's producer, Pete Bennett, a garrulous insider whose own career includes long stints with the Beatles, all the ex-Beatles, the Rolling Stones, Madonna and more.
But let's give Laine the microphone for a moment and let him describe his own wild life in his own laid-back words.
"I formed the Moody Blues in Birmingham (England), back when the Spencer Davis Group was there, too. We were a blues band then, nothing but the blues. Then we got discovered and moved to London, and got into American rhythm and blues. We did the Beatles' second British tour, then toured with the Rolling Stones and Eric Clapton, Rod Stewart, all those guys, and we backed up quite a few black blues players, too.
"I quit the Moodies and started the Electric String Band, which had guitars and electrified violins and that. We were a kind of minor, underground hit if you know what I mean. We opened a Hendrix show, and even Jimi was impressed, I could tell. And that was where I think Paul started thinking of working with me. He was there too, with John Lennon.
"But that band broke up and so I went to Spain and studied flamenco guitar for a while. Then I joined Ginger Baker's Air Force and was living in my manager's office when Paul called. He said, 'Do ya fancy putting together a band?' And I said sure, so I was on the plane to his farm in Scotland to start rehearsing the next day. I slept in Paul's garage on a kind of mattress, they didn't have any spare rooms then.
"We just sort of jammed for a while in his barn. Paul got Linda to play keyboards, teaching her these simple parts. That was weird for me -- I was used to playing with really experienced people. But that's what Paul wanted to do. I got Henry McCullough from Joe Cocker's band to join us on guitar, then we went out to play these small gigs at universities. We'd just show up unannounced and ask if it was OK to play that night.
"I wrote a lot of songs with Paul (including the group's biggest worldwide hit, "Mull of Kintyre"), and it was just like the way he wrote with John: He'd bring in songs he'd started, or he'd help me finish something I'd started, or we'd take two completely different songs and fit them together. By 1976 we were huge, playing bigger shows than the Stones or Led Zeppelin. That Kingdome show in Seattle (the first rock concert in the stadium) was the biggest show we ever played. But we never got to Japan, until 1980, and that's when Paul got busted for having pot. That was the end of our touring days, so that was why I left. I didn't want to just play in studios.
"We never actually fell out, just sort of drifted away. The press might have twisted things around later, and so it did go haywire for a while. We saw each other at a UB40 concert last Christmas, and it was a bit nostalgic. Someone took a picture of us and I said, 'That'll be on the Internet tomorrow.' And it was.
"Now I've written a musical called 'Arctic Song,' basically a sci-fi environmental piece; it involves an alien who meets a Siberian girl and they solve the world's problems. I played some shows with Todd Rundgren, I've got a solo record nearly done, and I'm writing an autobiography, so I've got a lot on my plate.
"The show on Sunday will have a lot of Pete Bennett's stories. He started with Elvis, and worked with the Beatles and like that. He's just brilliant, and a character, too, so we have lots of laughs together. We play a lot of Wings stuff,
Glen Burtnik, from Styx, is in the band, and he's terrific. I just know the caliber of the musicians is fantastic. It can't fail, to be honest."
Peter Ames Carlin is on book leave from his post as television critic at The Oregonian, though you can follow his musings on his blog at
www.blog.oregonlive.com/idiotbox/