rockinfayrose wrote:C'mon People, what's with the weird anticipations?

Other than Jana's normal Sade & Depeche Mode addition, everyone else is getting excited by releases from off-the wall artists whom I would expect to find in the $2.99 Bargain Bin at Borders (not even CVS because for $6.99 u can find some good rare stuff from Springsteen, Bon Jovi, Fleetwood Mac there.) There has got to be some upcoming stuff from recognizable names that more than a minority can get thrilled by...
could be a general lack of bands in the US that a) I like....and b) are releasing new material. Never particularly cared for the "hair bands" of the late 80s/early 90s, and the bands that are left that I like either...
aren't releasing anything new this year (ie Bon Jovi, Phil Collins [possible 60s covers cd but unconfirmed])
aren't even together
or are working in some random lineup that generally tunes me off of being a fan of the band in the first place (ie Survivor with no Jamison or Bicker, but a singer who sounds like neither of them).
Likewise, there aren't many--if any--90s bands that I really like enough to look forward to a cd from, and many of the current artists fall into that category also. Those that do either aren't releasing anything this year (ie Rob Thomas), or might release something but nothing confirmed (ie Matchbox 20).
So what's left when you've exhausted the options is to broaden your horizons. There's a bunch of very good bands that never broke into the US scene for one reason or another. They might have had plenty of success other places, but never cracked America. So you start trying out cds. Sure, some are ok, but every once in a while, you find this artist that you really like. For every one band that breaks through, you have 5-6 popular ones that didn't. For example, Whitesnake was pretty darn popular in Europe for 10 years before breaking through over here, and when they did it was after a massive style change. Same with others. There are also plenty of bands that got popular here, but didn't sell for anything outside of the US. Doesn't have anything to do with the quality of songwriting/performances.
Commercial success has a lot more to do with management and promotion than the songs themselves. I know of one band who tried to break into the US market, signed with a label, did a tour over here with generally good responses despite no radio airplay. Then, they got to their label showcase in Los Angeles, and the agent who signed them didn't even go see them because he had a prior commitment to a dog's birthday party of a local radio dj---true story. Not surprisingly, they didn't break into the US market. It did, however, provide a very angry hit single when they got home about their experience with the American record label. Hard to blame the band on that one, but that's why you never heard of them in the US. It was all politics, and had nothing to do with the music.
rockindeano wrote:Anyway, the bands that that Kjbgs dude
"Kevin" works better and is considerably easier to type.... It was also taken by someone else.