...on current music, the past, the future. Looks like no new material from him, either, for awhile.
http://online.indianagazette.com/articl ... 268466.txt
Dennis DeYoung coming to IUP
By BILL ZIMMERMAN
billz@indianagazette.net
Published: Thursday, September 23, 2010 4:04 PM EDT
There’s no Styx reunion on the horizon, but the band’s former vocalist said he’s bringing the next best thing to town.
Dennis DeYoung will perform Styx hits from the ’70s and ’80s on Friday at Fisher Auditorium.
“The Styx fans, first and foremost, want us to get back together,” DeYoung said in a phone interview, “but, second, this is the show that Styx fans want to see.”
DeYoung, 63, spent the last decade as a solo act, regrouping after being let go by bandmates Tommy Shaw and James Young.
“Those two guys,” he said, “they threw down the gauntlet and replaced me, and they’ve been quite vocal about how happy they were.”
Born in Chicago, where he still lives, DeYoung’s tenure with Styx lasted from the band’s debut in 1970 to 1999. On Friday, he’ll bring such Styx hits as “Lady,” “Mr. Roboto,” “Come Sail Away” and “Babe.” DeYoung released his first solo album, “Desert Moon,” in 1984. His reinvention in the 2000s was sparked by a one-time show in Chicago that later led to a PBS special, recorded in 2002, that he calls the catalyst that gave him an identity after spending his life “making people like the word Styx.”
Through airing of the concert, which included a 40-member symphony orchestra, PBS has pulled in more than $2 million in pledges. Now viewers tell him, “I was flipping through the channels, and then I saw you and said, ‘Who is that? I know his voice.’”
For a time, his performances were hampered by chronic fatigue, which DeYoung blamed on light sensitivity. Now he often wears sunglasses, keeps the blinds closed at his home and generally lives “like a hermit.”
“I’m fine,” he said, “no windsailing for me.”
He performs between 40 and 50 shows a year, and released his last project “100 Years from Now” in 2009. He also worked as the composer and co-lyricist for “The 101 Dalmatians Musical,” which concluded a nationwide tour in April in New York City.
DeYoung’s now backed by a band that he hails as reaching a level beyond his expectations. This year saw the addition of two new members, one of whom DeYoung’s son discovered on YouTube singing with a Styx cover band.
“I went hot diggity dog,” said DeYoung about seeing August Zadra, who now provides guitar and vocals.
The band is rounded out by the other 2010 addition, Craig Carter, bass and vocals; John Blasucci, keyboards; Jimmy Leahey, guitar and vocals; and Tom Sharpe, drums.
“They’re just great people, too. … Putting talent and reasonable personalities in the same body, sometimes God finds it difficult to do that,” he said.
Longevity like his is becoming a thing of the past, to DeYoung, who said “15 years from now I wouldn’t want to own a shed (a large venue).”
To DeYoung, a glut of entertainment options is making music no longer central to young people’s lives, and the growth of Internet downloads, both legal and illegal, is creating an industry where “music is invisible; it just makes it seem less valuable, because to a degree it is.”
The popularity of Pro Tools production software, he said, has created a homogenous sound, making the different acoustic qualities at various recording studios a nonissue.
“The people came in and worked with the inherent sound of the gear in the room. … The air in the studio, is what gave uniqueness to records,” DeYoung said.
Plus, pitch-correcting software such as Auto-Tune — “Click on the little mouse and everything will be all right” — is making it difficult to determine who can really sing.
“I don’t believe in anything I hear,” DeYoung said.
Nonetheless, there’s still new stuff he likes; he finds Lady Gaga to be a skilled singer and pianist whose talent is disguised by less complex musical arrangements. “She is much bigger than her records allow,” he said.
And he vows that “he can’t take an elitist attitude toward music.”
It was a snobby attitude, DeYoung said, that left successful rock acts of the ’70s like Styx undervalued by critics after two decades of an “amazing, never to be duplicated explosion of popular music, where new styles were invented and pioneers were found.”
“That music (from the ’70s) is still wildly popular with people today, because it just speaks to the mainstream still,” he said. “It’s not like it’s a mystery.”
However, after several busy years, DeYoung said he’s under a “moratorium,” avoiding any new projects in the studio.
Is this a prelude to retirement?
“Just a moment of reflection,” he said.