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FormerDJMike wrote:Recently listened to it on vinyl. Listen closely to the end of Miss America. You can hear them miss a guitar note. For years I thought it was a skip on my record. Then when I bought it on cd it was there too. I noticed it again on the 180 gram vinyl remaster as well. My second favorite Styx album and I don't listen to it as much as I should anymore. My first exposure to Styx probably around 1980. It was my brothers album and I liked it because one of my brothers favored Dennis (his name is also Dennis). I love the studio version of Miss America. As overplayed as it is, it is still one of my all time favorite Styx songs.
gr8dane wrote:I was still all over Equinox,so when I picked up GI,
I was disappointed, as I wanted another one like it.
I found there was a new sound to Styx and GI.
Don't get me wrong ,I did like it and played it tons,
but...... .
Well it made me like Crystal Ball even more.
I would be OK if I never heard Come Sail Away,Grand Illusion and Miss America again.
Toph wrote:Ah the Grand Illusion. The most cohesive Styx album that there is. Every song plays a role and they all form a unique story. What I find interesting about Grand Illusion is that Side One and Side Two are completely different in tone. Side One is the more upbeat, positive side. Side Two is the downer, more cynical side. But at the end of the day it really works well together.
So here goes:
- Grand Illusion: The classic opener of an album - hearkens back to Magical Mystery Tour or Sgt Pepper intros - sets the stage and the theme. Classic Styx harmonies, DDY is great on lead vox. A royal triumphant theme with the da da da da dum da da da da dum da da da da de de da dum opening - feels like a knight is going to be riding by. My only minor gripe - I think the guitar solo lasts one phrase too long. At one point feels repetitive. "America spells competition - join us in our blind ambition..." classic line
Foolin' Yourself - My favorite Tommy Shaw tune. Great marriage of acoustic guitar and keyboards. This is what Tommy really added to the Styx sound. The combo of the Oberheim and the acoustic guitar is a juxtaposition that really resonates. Another one is the acoustic piano with the electric guitar juxtaposition that is evident on so many Styx songs (Lady, CSA, BOT). A great message, a great song, a great overall tune. Why it didn't get higher than #29 is a mystery to me - should have been a top 5 single.
Superstars - Some say the weakest song on Grand Illusion. I say, if it is the weakest, it only means it is the smallest among the giants. Because all these songs are huge. Clearly, a pop oriented song with the high harmonies and captivating hook. The only hint of "progigness" is the Dennis spoken part. Dennis's role on this album always felt to me as a mysterious ring leader or narrator of the Grand Illusion. Almost like a Willie Wonka or something - he's leading you on the Grand Illusion and coming in and out with that echoey like voice effect. Did anyone ever see it this way?
Come Sail Away - Not much more to write about on this one as it has been done to death. Truly the closest in the grand scheme of rock masterpieces that Styx gets. Mentioned in same breath as Carry On Wayward Son, Stairway To Heaven, Let It Be, My Generation, More Than A Feeling, etc. as one of those timeless classic rock songs that must be included on any classic rock playlist. Some have never understood the logic of the second angels verse (where they angels turn into starships real time within the song). Some have said that it cheapens what otherwise was a great lyrical expression and was playing too much on the space movie fad at the time (Close Encounters, Star Wars). I thought this way for a long time until someone pointed out that the story is oddly familiar to chapter 1 of Ezekiel in the bible. Read it and see how it applies.
Miss America - With a flip of the record, we go from soaring optimism to cynicism and pessimism. Miss America "sometimes the cover makes the book" is a sneering commentary on our culture which tends to glorify the superficial. One of JY's strongest efforts and vocally, he keeps the voice within range so that there are fewer cracks on the recorded version than in other JY songs. Keyboards on this song are underrated. You think of Miss America as a guitar driven rocker, but the studio version lends a lot of keyboards into the mix which do two things a) softens it up a bit while remaining true to its rock roots, and b) adds a level of variety to the song beyond just the standard JY rock son.
Man in the Wilderness - Water, water everywhere, but not a drop to drink. So appropro and such strong lyrics. Tommy really shines on this album lyrically as this and Foolin Yourself are extremely strong lyrically. The chorus melody is strong, but I think misses an opportunity to not have three part harmony. If you listen closely, you'll here that it is only Tommy and JY - no Dennis in the lower range. The result is a chorus that doesn't have quite the oomph of other Styx choruses. Still, a minor nit and overall a very strong tune.
Castle Walls - Be honest, did this song ever scare you? It scared the crap out of me when I was a kid. A lot of eerily sounding and forboding notes. If you want to get a peek under the tent at the personal issues DDY was encountering at this time, this is the song that will do it. Classic in its minor key mysteriousness. We've all had fears in our lives and this one hits right at the heart of it.
Grand Finale - Despite the fact that the last 3 songs have taken you down a dark and pessimistic road, as they often like to do, Styx leaves you with a tinge of optimism to close out the album. As a synopsis of the album, it is telling you that it will be ok. Is the lyric "Sail Away, Superstars. Sail Away To The Skies"? or is it just "Sail Away Superstars, Sail Away Superstars?" I've seen both written and didn't know what was official. The first one makes it all tie together better, but not sure if that is what they are saying - even hard to decipher listening.
Obviously this is Styx at their nadir of 70s rock. A followup will be strong but not quite as well received and various member changes in taste will then move the band into a further direction. But as far as capturing the sound and fee of the late 70s, this is it.
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