You ask why he is off pitch here and there and refuse to accept the answer. Then you post what reads like some AI generated thing when you asked it how it works, or something straight from a manual.
I have a couple things to add to what TNC said. First, Fil explained, and showed examples, where autotune can be set to sometimes be slightly sharp or flat at times. That alone should give you a hint that that autotune is more sophisticated and has settings beyond what you posted.
If you look into it a page deeper you will find that it can be set to only tune in a specific range. Way back when he fixed all his issues with a new ear monitor I said that he now sometimes sounds like crap with his midrange but his high range sounds perfect. That makes no sense to me. Autotune can be programed to ONLY tune his higher range and allow his midrange to be his real voice....completely unable to hold a note or be in key. Then you set it to sometimes tune to be slightly sharp or flat to make it sound more like a real voice and 'hide' the autotune use.
Finally, TNC is correct. Autotune jumps to the closest note. So, if he is WAY off and it just grabs the closest note and that could be the wrong note.
IMO, autotune has been used from the time of his magic ear monitor. They made it selective and tried to hide its use. Then they screwed up by leaving it on during the talking. And, I don't blame Arnel...It's the "band" (Neal) telling the sound guy whether to use it or not. Arnel may not even know when it is on. Same with things like the end of Separate Ways, which always sounds the same. I think they turn down Arnel's vocal and use prerecorded voices. Again, Arnel may not even know.
Also, I find it pretty convenient that playing a halftime show to prerecorded music is given a pass when it was argued to the point of insult that Augeri should have the integrity to refuse to perform with prerecorded vocals. NEAL SCHON performed to prerecorded guitar during that performance - and nobody here even cares. Nobody is saying he should have refused the idea. So hypocritical.
IMO, the bottom line is "Journey" has no where near the integrity that some people here think it does. It has even less now then then when Augeri was with them, IMO.
danielb wrote:danielb wrote:So far, I haven't seen anything to support they're using autotune on this tour. If they had been, why would Arnel continuously be off pitch here and there?
The_Noble_Cause wrote:This was already addressed - "autotune tunes chromatically so if Arnel is closer to the note a 1/2 step below it will auto tune him down to incorrect note rather than up to correct one."
As I wrote previously, why would they use Autotune configured with a setting that adjusts Arnel's vocal to hit the wrong notes? The whole purpose of Autotune is to make a singer sound good. I trust Journey can afford sound engineers that know how to work Autotune.
When Auto-Tune is set to "Chromatic," it is instructed to treat all 12 semitones in an octave (every white and black key on a piano) as potential, valid target notes.
How it works: Auto-Tune calculates the pitch of the incoming vocal in real-time and snaps it to the mathematically closest note in the 12-tone scale.
The Problem: If the intended note is D (a whole step up) but the singer (Arnel) is flat, falling 1/2 step below and closer to C#, Chromatic Mode will "correct" the voice down to the C# rather than up to the D.
The Result: The, singer sounds perfectly in tune, but on the wrong note, which can create a jarring or "wrong" harmony depending on the melody.
How to Fix This
If you are having this issue, here are the standard ways to solve it:
Switch from Chromatic to Scale Mode: Instead of Chromatic, select the specific key (e.g., D Major) and scale (e.g., Major) of the song. This restricts the notes the software can pull to, ensuring it only chooses notes within that key.
Remove Notes (Custom Scale): In the software's advanced view, you can manually "remove" the wrong note from the scale (e.g., remove C#). If C# is removed, Auto-Tune will be forced to skip it and jump to the next closest note, which would be D.